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People made suggestions, but, hell, I don't actually listen to anybody, I just go my own way.
Elia Kazan
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Elia Kazan
Age: 94 †
Born: 1909
Born: September 7
Died: 2003
Died: September 28
Actor
Director
Film Actor
Film Director
Film Producer
Producer
Screenwriter
Theatrical Director
Writer
Istanbul
Elias Kazantzoglou
Listen
Hell
Actually
Made
Way
People
Suggestions
Anybody
More quotes by Elia Kazan
I left the theater I literally left to begin a new life.
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Take it from a director: if you get an actor that Sandy Meisner has trained, you've been blessed.
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I don't remember anything anybody said in any Jack Ford picture. Nothing happens except action.
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I will say nothing to an actor that cannot be translated into action.
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Anybody who informs on other people is doing something disturbing and even disgusting.
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When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.
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I was very intense. I think it's a privilege to be an actor.
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Acting, I found, was the biggest charge I ever had. What other artist has it so good? Approval so quick?
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You have no idea how fragile an actor's self-worth is.
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I think there should be collaboration, but under my thumb.
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The essence of the stage is concentration and penetration. Of the screen action, movement, sweep.
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You have to remind people of their own struggles. It's a responsibility.
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I was born in Turkey in an extremely oppressive climate at the time of pogroms, massacres, really. An immigrant appreciates the freedom more.
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I value peace, too, when it is not bought at the price of fundamental decencies.
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I was always a self-conscious person.
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A good director's not sure when he gets on the set what he's going to do.
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I want to thank the Academy for its courage and generosity.
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I was not what you'd call a first-class actor, but I did all right.
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I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
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