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I was the true future. I understood Communism better than they did.

Elia Kazan

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Elia Kazan
Age: 94 †
Born: 1909
Born: September 7
Died: 2003
Died: September 28
Actor
Director
Film Actor
Film Director
Film Producer
Producer
Screenwriter
Theatrical Director
Writer
Istanbul
Elias Kazantzoglou
Communism
Understood
Future
True
Better

More quotes by Elia Kazan

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You have no idea how fragile an actor's self-worth is.
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I said to Tennessee, this thing is becoming the Marlon Brando show.
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Criticism- a big bite out of someone's back.
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I was able to capture on film things the actors didn't even know they were doing.
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I want to thank the Academy for its courage and generosity.
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I may be getting old, but not foolish.
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I will say nothing to an actor that cannot be translated into action.
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There aren't many male stars - that's a loose term - like Kirk [Douglas] around. Most of those virile personalities have to keep working, continue the image because they can't do anything else. They don't even read. Their real identity is in making those pictures. They have to keep jumping on horses and hitting somebody on the head with a gun.
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Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.
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The thing with films is that you have to make something that will get people out of their houses, away from the TV set. You must touch people, say something. Otherwise, they'll stay at home.
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I was very intense. I think it's a privilege to be an actor.
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I was the hero of the young insurgent working class art movement.
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A film director has to get a shot, no matter what he does. We're desperate people.
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I don't remember anything anybody said in any Jack Ford picture. Nothing happens except action.
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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
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I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
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Very often the Group actor is a critic when he's acting and an actor when he's criticizing.
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The writer, when he is also an artist, is someone who admits what others don't dare reveal.
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I think there should be collaboration, but under my thumb.
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I question the value of stars. I think they're overrated. They get too much money, too much praise.
Elia Kazan