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Well, I was getting a lot of money then, and I wasn't getting any Hollywood films, so I just did those. I'd always do a play in between. Whenever I ran low on funds, I'd always rush off to do a movie somewhere.
Eli Wallach
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Eli Wallach
Age: 98 †
Born: 1915
Born: December 7
Died: 2014
Died: June 24
Actor
Autobiographer
Character Actor
Film Actor
Film Producer
Stage Actor
Television Actor
New York City
New York
Eli Herschel Wallach
Movie
Ran
Getting
Fund
Money
Lows
Film
Whenever
Wells
Somewhere
Well
Films
Play
Hollywood
Funds
Always
Wasn
Rush
More quotes by Eli Wallach
Even if I don't want to slow down, I'm slowing down.
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I never dreamed I would do Westerns.
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I'd come out of the army after five years as a medic. I was a medical administrator and we ran hospitals, and I was a Captain in the Army at the end, in 1945.
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The richest man is the one with the most powerful friends.
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In the book, I tell the story of seeing old movies when I was young and acting out scenes at home. Now I get scripts, and I act them out.
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My first Western was called The Magnificent Seven.
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I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
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I love to tell stories and this is my way of getting them down on paper.
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What is it in my makeup that makes me grab any offer and fly around the world? Will I ever be satisfied? Can't I ever just rest?
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The big secret in acting is listening to people.
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Fifty million dollars is not to be sneezed at. Of course, I never catch cold.
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I've never lost my appetite for acting it's innovative and challenging.
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I've worked with wonderful actors like Marlon Brando and Henry Fonda.
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I don't act to live. I live to act.
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What do I need a movie for? The stage is on a higher level in every way, and a more satisfying medium. Movies, by comparison, are like calendar art next to great paintings. You can't really do very much in movies or in television, but the stage is such an anarchistic medium.
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One thing changes every evening: It's the audience, and I'm working my magic. I'm always learning from it.
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Having the critics praise you is like having the hangman say you've got a pretty neck.
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Well, I go to the theater today, and its curtain - there is no curtain in this play the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
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Recipe? Recipe? We don' need no stinkin' recipe.
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But I went to the University of Texas in the 30s, and while there I learned to ride. Mostly polo ponies.
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