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But Clint I love, because Clint was my mentor. I knew nothing about making an Italian movie.

Eli Wallach

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Eli Wallach
Age: 98 †
Born: 1915
Born: December 7
Died: 2014
Died: June 24
Actor
Autobiographer
Character Actor
Film Actor
Film Producer
Stage Actor
Television Actor
New York City
New York
Eli Herschel Wallach
Movie
Making
Nothing
Love
Clint
Mentor
Italian
Knew

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Fifty million dollars is not to be sneezed at. Of course, I never catch cold.
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I've worked with wonderful actors like Marlon Brando and Henry Fonda.
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I never dreamed I would do Westerns.
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My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.
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The big secret in acting is listening to people.
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And that movie was underrated - Nuts - because it deals with a terrible subject, but It's very well done.
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No, I never thought of it in those terms. I used to go into agents' offices and they'd have pictures of these handsome movie men and I knew I'd never be up there. I'm a journeyman actor. I didn't think about stardom.
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All of these stories bounced around in my mind for a long time.
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My first Western was called The Magnificent Seven.
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Well, I've maybe gotten 200 requests for interviews about Marilyn, and I just decided I'm gonna do my own.
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But I went to the University of Texas in the 30s, and while there I learned to ride. Mostly polo ponies.
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The richest man is the one with the most powerful friends.
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Even if I don't want to slow down, I'm slowing down.
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I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
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Recipe? Recipe? We don' need no stinkin' recipe.
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Well, I go to the theater today, and its curtain - there is no curtain in this play the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
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One thing changes every evening: It's the audience, and I'm working my magic. I'm always learning from it.
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What do I need a movie for? The stage is on a higher level in every way, and a more satisfying medium. Movies, by comparison, are like calendar art next to great paintings. You can't really do very much in movies or in television, but the stage is such an anarchistic medium.
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John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.
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I'd come out of the army after five years as a medic. I was a medical administrator and we ran hospitals, and I was a Captain in the Army at the end, in 1945.
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