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I'm from Boston, and in Boston, you are born with a baseball bat in your hand. And actually, most of the bats in Massachusetts are used off the field instead of on the field, and we all had baseball bats in our cars in high school.

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Actually
Cars
Born
Field
Hands
Baseball
School
Car
Used
Fields
Instead
Massachusetts
Hand
Bats
High
Boston

More quotes by Eli Roth

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When I go see an R-rated horror movie, I want lots of violence.
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Much of my youth was spent in the parking lot or inside a Dunkin' Donuts.
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I like movies like 'Mother's Day', where you watch it, and you've liked it for years as a horror movie.
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In musical theater, if you have a song, it has to advance the plot. If you have a song in a musical and it does not advance the plot, it gets dropped.
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Natural disasters are terrifying - that loss of control, this feeling that something is just going to randomly end your life for absolutely no reason is terrifying. But, what scares me is the human reaction to it and how people behave when the rules of civility and society are obliterated.
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I feel like in the '90s, horror just lost its way and everything became so safe and watered-down.
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I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.
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A comedy can actually get funnier and funnier. Even though you know the joke, you enjoy it so much, it's the facial expression, you laugh. The laugh doesn't wear off. It could be with you for thirty years.
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The scariest people are usually the sweetest.
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I was listening to music to kind of pump myself up and get psyched up, like I was listening to Iron Maiden and Misfits and Dead Kennedys, and it was like my '80s Massachusetts parking-lot heavy metal and Guns N' Roses.
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When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
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'Troll 2' is one of the rare sequels where you don't have to waste time watching the first one, since the films have absolutely nothing to do with one another.
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I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.
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Everybody has to know where they're coming from, what they're doing, why they're doing it, who they are. These are essentials.
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Movie stars need to retain some of that mystique if you are a big movie star.
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I hear what people say, I read all the reviews, all the blogs, and I am always curious to hear it, because you can't always listen to the good press, you have to hear the bad press, too.
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The world is changing. Social media is a way to sell movies and to build a fan base. The truth is that you have followers because they know you are into it and you're funny and you like it. I think it's great.
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I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war it's hard to predict what people are going to be afraid of.
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All the copycat movies were always PG-13 and people said: Nobody wants violence.
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People want to be disturbed when they go see a horror movie.
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