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You have to write scenes and design scenes that are scary and horrific, but that are also watchable. I didn't want people to just feel like they got punched in the stomach.

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Feels
Stomach
Writing
Scary
Like
Scene
People
Design
Write
Watchable
Didn
Punched
Also
Horrific
Feel
Scenes

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I get a little too obsessive with work.
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I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.
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Creative writing and shooting are muscles that atrophy. But when you work them, you become a self-generator who can branch out.
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Look at comic books. It used to be something that only geeks were into. And now it's everywhere.
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I think horror should never be safe, whether it's violent or non violent.
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As a kid, my idols were Sam Raimi and Peter Jackson, and I get into crazy races with myself. Raimi was 21 when he made movies, and when I didn't get 'Cabin Fever' made that fast I thought I'd failed.
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I want an iPhone 5, someone said something nasty on twitter, or my boyfriend isn't texting me back, like whatever the thing is that seems so major in your life, when a real disaster hits you suddenly strips it all away and you see what's really important and who you really are.
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Life is a series of avoiding horrible situations until ultimately you're dead. That's how I feel about things.
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I was listening to music to kind of pump myself up and get psyched up, like I was listening to Iron Maiden and Misfits and Dead Kennedys, and it was like my '80s Massachusetts parking-lot heavy metal and Guns N' Roses.
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Horror movies are the best date movies. There's no wondering , 'When do I put my arm around her?'
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So when I was beating the guy, I started thinking, 'What if I was Hannah Montana?' . . . And little do they know that that's why I look so insane . . . I'm torturing myself with thoughts of, 'How could I actually pull off being a high school student and a pop star at night?'
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I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.
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I want it to be able to hold up in 30 years' time. So, I'm really thinking about everything.
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My parents love it! They're on set. They make cameos in the movie. My father is a psycho-analyst and a professor at Harvard and he told me how many of the other professors at Harvard have gone and seen it. They love 'Hostel' and they love the thought behind it.
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I have so many different projects, I hear voices in my head - the characters talking all at once - and I have to write to make them stop.
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What's important for me is staying healthy.
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Borat shows American stereotypes of Eastern Europe but it's an accurate depiction of what a certain type of American is. They think they can buy and sell these girls and then they get bought and sold.
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When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
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Pulp Fiction won the Palme d'Or and people said: Wait a minute, he's actually smart and he knows what he's doing! I feel that with Hostel, any time you make a film like that it's going to illicit a strong reaction and you can't worry about that.
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You know, the best thing you can say about a horror film is, 'Don't see it.'
Eli Roth