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All the copycat movies were always PG-13 and people said: Nobody wants violence.

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Copycats
Nobody
Movies
Wants
Violence
Always
People
Copycat

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I have control issues. For sure, no question.
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I never put out a vanilla edition of a DVD.
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Quentin Tarantino assistant called me and said: I have good news and bad news. The good news is you got the part, the bad news is you have to do it. I was like: Oh Jesus, when am I supposed to do this? I was prepping Hostel.
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Borat shows American stereotypes of Eastern Europe but it's an accurate depiction of what a certain type of American is. They think they can buy and sell these girls and then they get bought and sold.
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There's something very scary about exposing yourself on camera, knowing that you're going to be put on thousands of screens around the world for everyone to judge, but there's also something very thrilling and exciting about it.
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Movie stars need to retain some of that mystique if you are a big movie star.
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I need to eliminate 'like' from my vocabulary. I begin sentences with, 'That's seriously like ' I hear myself talking in this Los Angeles high-school student kind of way, and I hate it.
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I love movies that are just straight-up exploitation, but the ones that endure and the ones that last are the ones where the filmmakers put in that extra level of thought after 25 years you put them on in front of an audience, and they'll respond to it and enjoy it.
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Chile could work as a double for L.A. it's very production-friendly and there's terrific talent down there.
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Life is a series of avoiding horrible situations until ultimately you're dead. That's how I feel about things.
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Horror movies are the best date movies. There's no wondering , 'When do I put my arm around her?'
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When I go see an R-rated horror movie, I want lots of violence.
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It's very flattering to feel like you actually helped create a sub-genre.
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I don't want people to feel: Why am I watching this? It's sick and sadistic. I want people to watch and think it's scary but they can't wait to see what happens next. I also wanted to make a movie that was watchable.
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I felt people responded to two things. One, obviously, is the gore and the scenes like the eye gauging.
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The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.
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I can think of endless horrible things to do to people!
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A comedy can actually get funnier and funnier. Even though you know the joke, you enjoy it so much, it's the facial expression, you laugh. The laugh doesn't wear off. It could be with you for thirty years.
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I'm not interested in going after a part. I think if someone wants me for a part and approaches me then I'll take it on a case-by-case basis and see what that part is.
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So when I was beating the guy, I started thinking, 'What if I was Hannah Montana?' . . . And little do they know that that's why I look so insane . . . I'm torturing myself with thoughts of, 'How could I actually pull off being a high school student and a pop star at night?'
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