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I felt people responded to two things. One, obviously, is the gore and the scenes like the eye gauging.
Eli Roth
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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Felt
Two
Gauging
Things
Responded
Like
Gore
People
Scenes
Obviously
Scene
Eye
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The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.
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I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.
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It's very flattering to feel like you actually helped create a sub-genre.
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Even post-WWII, nobody talked about the Holocaust. It wasn't until the '50s that people started talking about it.
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Believe it or not, but I was a camp councilor for three years. I love kids.
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In musical theater, if you have a song, it has to advance the plot. If you have a song in a musical and it does not advance the plot, it gets dropped.
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Pulp Fiction won the Palme d'Or and people said: Wait a minute, he's actually smart and he knows what he's doing! I feel that with Hostel, any time you make a film like that it's going to illicit a strong reaction and you can't worry about that.
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You'd be lucky to get tortured to death in one of my films. It's the best thing that could happen to your career. But I'm very aware that as soon as you put women in this situation, all of a sudden people are like: Wow, well wait a second! Immediately, people become very sensitive to it.
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You can't help but be influenced by the things you love. Read more at: https://tr.im/ezGbq
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I'm not interested in going after a part. I think if someone wants me for a part and approaches me then I'll take it on a case-by-case basis and see what that part is.
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I think in life we get very caught up in the minutia and, unfortunately, it generally takes some sort of tragedy in your life to put things in perspective.
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