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When I go see an R-rated horror movie, I want lots of violence.

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Rated
Lots
Horror
Violence
Movie

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I have control issues. For sure, no question.
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I'm from Boston, and in Boston, you are born with a baseball bat in your hand. And actually, most of the bats in Massachusetts are used off the field instead of on the field, and we all had baseball bats in our cars in high school.
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Everyone is so terrified of being labeled a racist.
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So when I was beating the guy, I started thinking, 'What if I was Hannah Montana?' . . . And little do they know that that's why I look so insane . . . I'm torturing myself with thoughts of, 'How could I actually pull off being a high school student and a pop star at night?'
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People want to be disturbed when they go see a horror movie.
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Life is a series of avoiding horrible situations until ultimately you're dead. That's how I feel about things.
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I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.
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I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
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Imagine trying to relive your worst break-up, your worst fight, the most painful death of a loved one, and just really relive it step by step, and bring it up and apply it to the scene you're in.
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All the copycat movies were always PG-13 and people said: Nobody wants violence.
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You can't help but be influenced by the things you love. Read more at: https://tr.im/ezGbq
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I need to eliminate 'like' from my vocabulary. I begin sentences with, 'That's seriously like ' I hear myself talking in this Los Angeles high-school student kind of way, and I hate it.
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Pulp Fiction won the Palme d'Or and people said: Wait a minute, he's actually smart and he knows what he's doing! I feel that with Hostel, any time you make a film like that it's going to illicit a strong reaction and you can't worry about that.
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I hear what people say, I read all the reviews, all the blogs, and I am always curious to hear it, because you can't always listen to the good press, you have to hear the bad press, too.
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Everybody has to know where they're coming from, what they're doing, why they're doing it, who they are. These are essentials.
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Natural disasters are terrifying - that loss of control, this feeling that something is just going to randomly end your life for absolutely no reason is terrifying. But, what scares me is the human reaction to it and how people behave when the rules of civility and society are obliterated.
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The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.
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I felt people responded to two things. One, obviously, is the gore and the scenes like the eye gauging.
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It's very flattering to feel like you actually helped create a sub-genre.
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