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I think horror should never be safe, whether it's violent or non violent.

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Safe
Whether
Never
Think
Thinking
Violent
Horror

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All the copycat movies were always PG-13 and people said: Nobody wants violence.
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Creative writing and shooting are muscles that atrophy. But when you work them, you become a self-generator who can branch out.
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I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.
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The best movies now are called 'thrillers.' Because if you use the word 'horror,' people's associations are straight-to-video crap.
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As a kid, I was the neighbourhood baby-sitter - very responsible, always in charge.
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I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war it's hard to predict what people are going to be afraid of.
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I love historical movies. I want to make a violent medieval epic.
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I have control issues. For sure, no question.
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The scariest people are usually the sweetest.
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You know, the best thing you can say about a horror film is, 'Don't see it.'
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The one negative to horror is that it's always law of diminishing returns. When you go in the funhouse, the ride is never scary the second time. You will never have that pure experience as when you first watch it.
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The world is changing. Social media is a way to sell movies and to build a fan base. The truth is that you have followers because they know you are into it and you're funny and you like it. I think it's great.
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I hear what people say, I read all the reviews, all the blogs, and I am always curious to hear it, because you can't always listen to the good press, you have to hear the bad press, too.
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Possession and exorcism is something that’s in every religion and every culture. It’s a real primal fear: Is the body a vessel for our spirits? What happens if something else takes over it? Where does the spirit go?
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Anytime you make a movie, the goal is a wide theatrical release, with the right distributor.
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I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.
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Movie stars need to retain some of that mystique if you are a big movie star.
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You have to write scenes and design scenes that are scary and horrific, but that are also watchable. I didn't want people to just feel like they got punched in the stomach.
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I have so many different projects, I hear voices in my head - the characters talking all at once - and I have to write to make them stop.
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When I go see an R-rated horror movie, I want lots of violence.
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