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'Troll 2' is one of the rare sequels where you don't have to waste time watching the first one, since the films have absolutely nothing to do with one another.

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Films
Since
Another
Troll
Film
Sequels
Firsts
Rare
Nothing
Watching
First
Absolutely
Time
Waste

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Anytime you make a movie, the goal is a wide theatrical release, with the right distributor.
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I want it to be able to hold up in 30 years' time. So, I'm really thinking about everything.
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I'll direct any movie starring a monkey or the Olsen Twins. Preferably both.
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I feel like in the '90s, horror just lost its way and everything became so safe and watered-down.
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Natural disasters are terrifying - that loss of control, this feeling that something is just going to randomly end your life for absolutely no reason is terrifying. But, what scares me is the human reaction to it and how people behave when the rules of civility and society are obliterated.
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I want an iPhone 5, someone said something nasty on twitter, or my boyfriend isn't texting me back, like whatever the thing is that seems so major in your life, when a real disaster hits you suddenly strips it all away and you see what's really important and who you really are.
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Chile could work as a double for L.A. it's very production-friendly and there's terrific talent down there.
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The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.
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I love movies that are just straight-up exploitation, but the ones that endure and the ones that last are the ones where the filmmakers put in that extra level of thought after 25 years you put them on in front of an audience, and they'll respond to it and enjoy it.
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I can think of endless horrible things to do to people!
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All the copycat movies were always PG-13 and people said: Nobody wants violence.
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I need to eliminate 'like' from my vocabulary. I begin sentences with, 'That's seriously like ' I hear myself talking in this Los Angeles high-school student kind of way, and I hate it.
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When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
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I felt people responded to two things. One, obviously, is the gore and the scenes like the eye gauging.
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I've always dreamed of having a year-round haunted house.
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I'm not interested in going after a part. I think if someone wants me for a part and approaches me then I'll take it on a case-by-case basis and see what that part is.
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I think in life we get very caught up in the minutia and, unfortunately, it generally takes some sort of tragedy in your life to put things in perspective.
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Everybody has to know where they're coming from, what they're doing, why they're doing it, who they are. These are essentials.
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My parents love it! They're on set. They make cameos in the movie. My father is a psycho-analyst and a professor at Harvard and he told me how many of the other professors at Harvard have gone and seen it. They love 'Hostel' and they love the thought behind it.
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So when I was beating the guy, I started thinking, 'What if I was Hannah Montana?' . . . And little do they know that that's why I look so insane . . . I'm torturing myself with thoughts of, 'How could I actually pull off being a high school student and a pop star at night?'
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