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There's something very scary about exposing yourself on camera, knowing that you're going to be put on thousands of screens around the world for everyone to judge, but there's also something very thrilling and exciting about it.
Eli Roth
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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
World
Judging
Exposing
Exciting
Thrilling
Knowing
Screens
Everyone
Thousands
Around
Camera
Also
Cameras
Going
Scary
Something
Judge
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It's very flattering to feel like you actually helped create a sub-genre.
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Chile could work as a double for L.A. it's very production-friendly and there's terrific talent down there.
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I'm not interested in going after a part. I think if someone wants me for a part and approaches me then I'll take it on a case-by-case basis and see what that part is.
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I love historical movies. I want to make a violent medieval epic.
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When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
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Borat shows American stereotypes of Eastern Europe but it's an accurate depiction of what a certain type of American is. They think they can buy and sell these girls and then they get bought and sold.
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I've realized that I can't multitask in the writing department I can only kind of do one thing at a time.
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I feel like in the '90s, horror just lost its way and everything became so safe and watered-down.
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I'm from Boston, and in Boston, you are born with a baseball bat in your hand. And actually, most of the bats in Massachusetts are used off the field instead of on the field, and we all had baseball bats in our cars in high school.
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Everybody has to know where they're coming from, what they're doing, why they're doing it, who they are. These are essentials.
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There's fear in everything, but we can't just succumb to that. We have to suppress it, so we get used to suppressing fear to make it through the our day. Otherwise, we'd become paralyzed by them.
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I think in life we get very caught up in the minutia and, unfortunately, it generally takes some sort of tragedy in your life to put things in perspective.
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I get a little too obsessive with work.
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You have to write scenes and design scenes that are scary and horrific, but that are also watchable. I didn't want people to just feel like they got punched in the stomach.
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All the copycat movies were always PG-13 and people said: Nobody wants violence.
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The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.
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You can't help but be influenced by the things you love. Read more at: https://tr.im/ezGbq
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It's just assumed that a horror sequel is going to be bad. It's never going to be as good as the first one.
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I like movies like 'Mother's Day', where you watch it, and you've liked it for years as a horror movie.
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I have control issues. For sure, no question.
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