Quote

There's something very scary about exposing yourself on camera, knowing that you're going to be put on thousands of screens around the world for everyone to judge, but there's also something very thrilling and exciting about it.

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Something
Judge
World
Judging
Exposing
Exciting
Thrilling
Knowing
Screens
Everyone
Thousands
Around
Camera
Also
Cameras
Going
Scary

More quotes by Eli Roth

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I'm not interested in going after a part. I think if someone wants me for a part and approaches me then I'll take it on a case-by-case basis and see what that part is.
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Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
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Anytime you make a movie, the goal is a wide theatrical release, with the right distributor.
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I think in the late '80s and early '90s horror was dead.
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Much of my youth was spent in the parking lot or inside a Dunkin' Donuts.
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I'm from Boston, and in Boston, you are born with a baseball bat in your hand. And actually, most of the bats in Massachusetts are used off the field instead of on the field, and we all had baseball bats in our cars in high school.
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I generally follow my own compass and make films about what's scaring me.
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I felt people responded to two things. One, obviously, is the gore and the scenes like the eye gauging.
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You can't help but be influenced by the things you love. Read more at: https://tr.im/ezGbq
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I've always been fascinated by the idea that there's no such thing as evil it's all in your point of view. To one group a suicide bomber is the antichrist and to one he's a hero.
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My parents love it! They're on set. They make cameos in the movie. My father is a psycho-analyst and a professor at Harvard and he told me how many of the other professors at Harvard have gone and seen it. They love 'Hostel' and they love the thought behind it.
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Possession and exorcism is something that’s in every religion and every culture. It’s a real primal fear: Is the body a vessel for our spirits? What happens if something else takes over it? Where does the spirit go?
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Chile could work as a double for L.A. it's very production-friendly and there's terrific talent down there.
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You'd be lucky to get tortured to death in one of my films. It's the best thing that could happen to your career. But I'm very aware that as soon as you put women in this situation, all of a sudden people are like: Wow, well wait a second! Immediately, people become very sensitive to it.
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I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.
Eli Roth
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Pulp Fiction won the Palme d'Or and people said: Wait a minute, he's actually smart and he knows what he's doing! I feel that with Hostel, any time you make a film like that it's going to illicit a strong reaction and you can't worry about that.
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There's fear in everything, but we can't just succumb to that. We have to suppress it, so we get used to suppressing fear to make it through the our day. Otherwise, we'd become paralyzed by them.
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You have to write scenes and design scenes that are scary and horrific, but that are also watchable. I didn't want people to just feel like they got punched in the stomach.
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I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war it's hard to predict what people are going to be afraid of.
Eli Roth
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Imagine trying to relive your worst break-up, your worst fight, the most painful death of a loved one, and just really relive it step by step, and bring it up and apply it to the scene you're in.
Eli Roth