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There's something very scary about exposing yourself on camera, knowing that you're going to be put on thousands of screens around the world for everyone to judge, but there's also something very thrilling and exciting about it.
Eli Roth
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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Everyone
Thousands
Around
Camera
Also
Cameras
Going
Scary
Something
Judge
World
Judging
Exposing
Exciting
Thrilling
Knowing
Screens
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I feel like in the '90s, horror just lost its way and everything became so safe and watered-down.
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Much of my youth was spent in the parking lot or inside a Dunkin' Donuts.
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Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
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You know, the best thing you can say about a horror film is, 'Don't see it.'
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I think horror should never be safe, whether it's violent or non violent.
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My parents love it! They're on set. They make cameos in the movie. My father is a psycho-analyst and a professor at Harvard and he told me how many of the other professors at Harvard have gone and seen it. They love 'Hostel' and they love the thought behind it.
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Borat shows American stereotypes of Eastern Europe but it's an accurate depiction of what a certain type of American is. They think they can buy and sell these girls and then they get bought and sold.
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'Troll 2' is one of the rare sequels where you don't have to waste time watching the first one, since the films have absolutely nothing to do with one another.
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When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
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Imagine trying to relive your worst break-up, your worst fight, the most painful death of a loved one, and just really relive it step by step, and bring it up and apply it to the scene you're in.
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The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
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Natural disasters are terrifying - that loss of control, this feeling that something is just going to randomly end your life for absolutely no reason is terrifying. But, what scares me is the human reaction to it and how people behave when the rules of civility and society are obliterated.
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I generally follow my own compass and make films about what's scaring me.
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You'd be lucky to get tortured to death in one of my films. It's the best thing that could happen to your career. But I'm very aware that as soon as you put women in this situation, all of a sudden people are like: Wow, well wait a second! Immediately, people become very sensitive to it.
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A comedy can actually get funnier and funnier. Even though you know the joke, you enjoy it so much, it's the facial expression, you laugh. The laugh doesn't wear off. It could be with you for thirty years.
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