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I can think of endless horrible things to do to people!

Eli Roth

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Eli Roth
Age: 52
Born: 1972
Born: April 18
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Newton
Massachusetts
Eli Raphael Roth
Horrible
Things
Think
Thinking
People
Endless

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Everybody has to know where they're coming from, what they're doing, why they're doing it, who they are. These are essentials.
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I don't want people to feel: Why am I watching this? It's sick and sadistic. I want people to watch and think it's scary but they can't wait to see what happens next. I also wanted to make a movie that was watchable.
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I've realized that I can't multitask in the writing department I can only kind of do one thing at a time.
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Pulp Fiction won the Palme d'Or and people said: Wait a minute, he's actually smart and he knows what he's doing! I feel that with Hostel, any time you make a film like that it's going to illicit a strong reaction and you can't worry about that.
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So when I was beating the guy, I started thinking, 'What if I was Hannah Montana?' . . . And little do they know that that's why I look so insane . . . I'm torturing myself with thoughts of, 'How could I actually pull off being a high school student and a pop star at night?'
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I hear what people say, I read all the reviews, all the blogs, and I am always curious to hear it, because you can't always listen to the good press, you have to hear the bad press, too.
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Imagine trying to relive your worst break-up, your worst fight, the most painful death of a loved one, and just really relive it step by step, and bring it up and apply it to the scene you're in.
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A comedy can actually get funnier and funnier. Even though you know the joke, you enjoy it so much, it's the facial expression, you laugh. The laugh doesn't wear off. It could be with you for thirty years.
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Look at comic books. It used to be something that only geeks were into. And now it's everywhere.
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You know, the best thing you can say about a horror film is, 'Don't see it.'
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I think in life we get very caught up in the minutia and, unfortunately, it generally takes some sort of tragedy in your life to put things in perspective.
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You have to write scenes and design scenes that are scary and horrific, but that are also watchable. I didn't want people to just feel like they got punched in the stomach.
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All the copycat movies were always PG-13 and people said: Nobody wants violence.
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I have control issues. For sure, no question.
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My parents love it! They're on set. They make cameos in the movie. My father is a psycho-analyst and a professor at Harvard and he told me how many of the other professors at Harvard have gone and seen it. They love 'Hostel' and they love the thought behind it.
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I generally follow my own compass and make films about what's scaring me.
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People want to be disturbed when they go see a horror movie.
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The world is changing. Social media is a way to sell movies and to build a fan base. The truth is that you have followers because they know you are into it and you're funny and you like it. I think it's great.
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I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.
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When I go see an R-rated horror movie, I want lots of violence.
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