The rules say that to tell a story you need first of all a measuring stick, a calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.

The fictional treatment of biographical material - a treatment that for me is essential - is full of traps.

Women, in all fields - whether mothers or not - still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.

I didn't choose anonymity.Instead, I chose absence.

I have always paid careful attention to social and economic conflicts, to the dialectic - if we can call it that - between high and low. Maybe it's because I was not born or brought up in affluence.

Competition between women is good only if it does not prevail that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.

He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.

Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.

I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.

Anonymity lets me concentrate exclusively on writing.

As a girl - twelve, thirteen years old - I was absolutely certain that a good book had to have a man as its hero, and that depressed me.

Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.

My work stops at publication. If the books don't contain in themselves their reasons for being - questions and answers - it means I was wrong to have them published.

I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.

In order not to cut out a large part of one's private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.