I can't write or read music. I am self-taught and never learned formally. It can be a curse sometimes but I think it's more difficult for those who need the music to read from than for those who play by ear.

Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.

People would be surprised if they knew how shitty my recording situation has been over the years. It took a lot of work to make the music sound ok. Having space where you can't be heard is more important than not being able to hear. If you can't be heard you feel more free when you work.

In regards to live shows, space is very important to me. Space and context should complement the music in some way you gain so much from it. It enhances the dialogue between audience and performer. I'm very much aware of this when choosing venues. I say no to 90% of booking offers. Somehow I feel the venue needs to make sense.

My music demands something of the listener, it is demanding music. I think that's a good thing. I'm not chiselling anything in stone or serving you any truths. Even to native Norwegian speakers, my lyrics are veiled. I'm asking questions.

Wardruna is a combination of old and new. I use historical instruments and new and electronic instruments and tools. I use drones and samples to build these huge sounds. Sometimes just a sound can trigger words or melodies. I don't have a romantic notion about the past with Wardruna I wanted to create something new using something old.