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The world is complex, dynamic, multidimensiona l the paper is static, flat. How are we to represent the rich visual world of experience and measurement on mere flatland?

Edward Tufte

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Edward Tufte
Age: 82
Born: 1942
Born: March 14
Computer Scientist
Graphic Designer
Political Scientist
Sculptor
Statistician
University Teacher
Writer
Kansas City
Missouri
Edward R. Tufte
Edward Rolfe Tufte
Edward Rolf Tufte
Paper
Flat
Rich
Flats
Experience
Visuals
World
Visual
Represent
Complexes
Measurement
Complex
Static
Mere
Dynamic

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Graphical excellence is that which gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space.
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Beautiful Evidence is about the theory and practice of analytical design.
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Clutter and confusion are failures of design, not attributes of information.
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The point of the essay is to change things.
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I was writing a chapter of Beautiful Evidence on the subject of the sculptural pedestal, which led to my thinking about what's up on the pedestal - the great leader.
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The goal is to provide analytical tools that will last students a lifetime
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The commonality between science and art is in trying to see profoundly - to develop strategies of seeing and showing.
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Great design is not democratic it comes from great designers. If the standard is lousy, then develop another standard.
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Design cannot rescue failed content.
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The world is generally multivariate
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Good design is clear thinking made visible, bad design is stupidity made visible
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In general, I think audiences are a lot smarter than people think. So, it's not know your audience, it's respect your audience, and really know your content.
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I am certainly not an intellectual relativist, nor a moral relativist.
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My father worked for governments all his life as an engineer and public works director.
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I do believe that there are some universal cognitive tasks that are deep and profound - indeed, so deep and profound that it is worthwhile to understand them in order to design our displays in accord with those tasks.
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The world is much more interesting than any one discipline.
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The idea of trying to create things that last-forever knowledge-has guided my work for a long time now.
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It is not how much empty space there is, but rather how it is used. It is not how much information there is, but rather how effectively it is arranged.
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Public discussions are part of what it takes to make changes in the trillions of graphics published each year.
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The idea is that the content is the interface, the information is the interface, not computer-administrative debris.
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