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The world is complex, dynamic, multidimensiona l the paper is static, flat. How are we to represent the rich visual world of experience and measurement on mere flatland?

Edward Tufte

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Edward Tufte
Age: 82
Born: 1942
Born: March 14
Computer Scientist
Graphic Designer
Political Scientist
Sculptor
Statistician
University Teacher
Writer
Kansas City
Missouri
Edward R. Tufte
Edward Rolfe Tufte
Edward Rolf Tufte
Complexes
Measurement
Complex
Static
Mere
Dynamic
Paper
Flat
Rich
Flats
Experience
Visuals
World
Visual
Represent

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Great design is not democratic it comes from great designers. If the standard is lousy, then develop another standard.
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It is straightforward for me to be ethical, responsible, and kind-hearted because I have the resources to support that.
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The idea is that the content is the interface, the information is the interface, not computer-administrative debris.
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Confusion and clutter are failures of design, not attributes of information. And so the point is to find design strategies that reveal detail and complexity - rather than to fault the data for an excess of complication. Or, worse, to fault viewers for a lack of understanding.
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Clutter and confusion are failures of design, not attributes of information.
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In general, I think audiences are a lot smarter than people think. So, it's not know your audience, it's respect your audience, and really know your content.
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If the statistics are boring, you've got the wrong numbers.
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Good design is clear thinking made visible, bad design is stupidity made visible
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I was writing a chapter of Beautiful Evidence on the subject of the sculptural pedestal, which led to my thinking about what's up on the pedestal - the great leader.
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Design cannot rescue failed content.
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Allowing artist-illustrators to control the design and content of statistical graphics is almost like allowing typographers to control the content, style, and editing of prose.
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Public discussions are part of what it takes to make changes in the trillions of graphics published each year.
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It is not how much empty space there is, but rather how it is used. It is not how much information there is, but rather how effectively it is arranged.
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The commonality between science and art is in trying to see profoundly - to develop strategies of seeing and showing.
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Graphical excellence is that which gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space.
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If you like overheads, you'll love PowerPoint.
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The best graphics are about the useful and important, about life and death, about the universe. Beautiful graphics do not traffic with the trivial.
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Beautiful Evidence is about the theory and practice of analytical design.
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