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The world is complex, dynamic, multidimensiona l the paper is static, flat. How are we to represent the rich visual world of experience and measurement on mere flatland?

Edward Tufte

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Edward Tufte
Age: 82
Born: 1942
Born: March 14
Computer Scientist
Graphic Designer
Political Scientist
Sculptor
Statistician
University Teacher
Writer
Kansas City
Missouri
Edward R. Tufte
Edward Rolfe Tufte
Edward Rolf Tufte
Complexes
Measurement
Complex
Static
Mere
Dynamic
Paper
Flat
Rich
Flats
Experience
Visuals
World
Visual
Represent

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I am certainly not an intellectual relativist, nor a moral relativist.
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The point of the essay is to change things.
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It is straightforward for me to be ethical, responsible, and kind-hearted because I have the resources to support that.
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We've drifted into this presentation mode without realizing the cost to the content and the audience in the process.
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It is not how much empty space there is, but rather how it is used. It is not how much information there is, but rather how effectively it is arranged.
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I hope that I am generous and tolerant, but certainly on the intellectual side I think that there are discoverable truths, and some things that are closer approximations to the truth than others.
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The world is generally multivariate
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The commonality between science and art is in trying to see profoundly - to develop strategies of seeing and showing.
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The world is much more interesting than any one discipline.
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The goal is to provide analytical tools that will last students a lifetime
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Graphical excellence is that which gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space.
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The best graphics are about the useful and important, about life and death, about the universe. Beautiful graphics do not traffic with the trivial.
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A curious consequence is that I have become a minor celebrity.
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I was writing a chapter of Beautiful Evidence on the subject of the sculptural pedestal, which led to my thinking about what's up on the pedestal - the great leader.
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What gets left out is the narrative between the bullets, which would tell us who's going to do what and how we're going to achieve the generic goals on the list.
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Great design is not democratic it comes from great designers. If the standard is lousy, then develop another standard.
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My father worked for governments all his life as an engineer and public works director.
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In general, I think audiences are a lot smarter than people think. So, it's not know your audience, it's respect your audience, and really know your content.
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Allowing artist-illustrators to control the design and content of statistical graphics is almost like allowing typographers to control the content, style, and editing of prose.
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Design cannot rescue failed content.
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