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The world is complex, dynamic, multidimensiona l the paper is static, flat. How are we to represent the rich visual world of experience and measurement on mere flatland?
Edward Tufte
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Edward Tufte
Age: 82
Born: 1942
Born: March 14
Computer Scientist
Graphic Designer
Political Scientist
Sculptor
Statistician
University Teacher
Writer
Kansas City
Missouri
Edward R. Tufte
Edward Rolfe Tufte
Edward Rolf Tufte
Rich
Flats
Experience
Visuals
World
Visual
Represent
Complexes
Measurement
Complex
Static
Mere
Dynamic
Paper
Flat
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We've drifted into this presentation mode without realizing the cost to the content and the audience in the process.
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Design cannot rescue failed content.
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It is straightforward for me to be ethical, responsible, and kind-hearted because I have the resources to support that.
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Allowing artist-illustrators to control the design and content of statistical graphics is almost like allowing typographers to control the content, style, and editing of prose.
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Public discussions are part of what it takes to make changes in the trillions of graphics published each year.
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Beautiful Evidence is about the theory and practice of analytical design.
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What gets left out is the narrative between the bullets, which would tell us who's going to do what and how we're going to achieve the generic goals on the list.
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The idea is that the content is the interface, the information is the interface, not computer-administrative debris.
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Good design is clear thinking made visible, bad design is stupidity made visible
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It is not how much empty space there is, but rather how it is used. It is not how much information there is, but rather how effectively it is arranged.
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The world is much more interesting than any one discipline.
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I was writing a chapter of Beautiful Evidence on the subject of the sculptural pedestal, which led to my thinking about what's up on the pedestal - the great leader.
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Graphical excellence is that which gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space.
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A curious consequence is that I have become a minor celebrity.
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The best graphics are about the useful and important, about life and death, about the universe. Beautiful graphics do not traffic with the trivial.
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