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When you're on a highway, viewing the western U.S. with the mountains and the flatness and the desert and all that, it's very much like my paintings.

Edward Ruscha

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Edward Ruscha
Age: 87
Born: 1937
Born: December 16
Artist
Designer
Draftsperson
Film Director
Filmmaker
Graphic Artist
Painter
Photographer
Printmaker
Sculptor
Omaha
Nebraska
Ed Ruscha
Ed Ruschā
Edward Joseph Ruscha
Edward Rusha
Edward Ruscha
Edward Joseph Ruscha IV
Paintings
Mountains
Desert
Western
Mountain
Flatness
Painting
Viewing
Much
Highway
Like
Highways

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Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
Edward Ruscha
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Unfortunately, there was no Jackson Pollock of the camera.
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All my artistic response comes from American things, and I guess I've always had a weakness for heroic imagery.
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Good art should elicit a response of 'Huh? Wow!' as opposed to ‘Wow! Huh?'
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As an artist, I gotta stand up to my own work.
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The subject [of Los Angeles] became a general metaphor for anxiety and the speed of modern life.
Edward Ruscha
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I knew I wanted to be some kind of artist from about 12. I met a neighbour who drew cartoons, and I had an idea I wanted to be a cartoonist - or something that involved Indian ink, at any rate.
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When I first did the book on gasoline stations, people would look at it and say, Are you kidding or what? Why are you doing this? In a sense, that's what I was after: I was after the head-scratching.
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People refuse to believe that I've never been to Starbucks or Disneyland.
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I was attracted to the concept of Hollywood and the lifestyle here. But I've grown to mistrust it because it has changed. I didn't bargain for digital access parking in some concrete structure. Real heaven for me was to drive somewhere and park right in front. Now the city is going vertical.
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I was raised with the Bible Belt mentality, and by coming to California, I came out of this dark place and unlearned a lot of things I'd been taught.
Edward Ruscha
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Above all, the photographs I use are not arty in any sense of the word. I think photography is dead as fine art its only place is in the commercial world, for technical or information purposes.
Edward Ruscha
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I'd read about Los Angeles and this fact stuck in my mind: that the city gained 1,000 new people every day. In 1956! A thousand people every day! I felt: 'I want to be part of that.
Edward Ruscha
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When I began painting, all my paintings were of words which were gutteral utterances like Smash, Boss, Eat. Those words were like flowers in a vase.
Edward Ruscha
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I think the most interesting stuff comes from people who've just got nothing to lose. You know, let's kamikaze this thing - just throw themselves in it, devil may care.
Edward Ruscha
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I don't do social media of any kind. If I did, I may as well join Scientology.
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I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
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I'm very stodgy. I'm always looking at old photos of California and Los Angeles, knowing that what I'm looking at is now full of houses. There used to be vacant lots in Los Angeles, now all taken up by three-storey boxes - it's all getting infilled.
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I don't watch TV, so I feel like I'm left out of the American fabric or something.
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The difference between psychedelia and digitalia ages will seem like a smooth blending in years to come and will be a mere blip on the screen.
Edward Ruscha