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The subject [of Los Angeles] became a general metaphor for anxiety and the speed of modern life.

Edward Ruscha

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Edward Ruscha
Age: 86
Born: 1937
Born: December 16
Artist
Designer
Draftsperson
Film Director
Filmmaker
Graphic Artist
Painter
Photographer
Printmaker
Sculptor
Omaha
Nebraska
Ed Ruscha
Ed Ruschā
Edward Joseph Ruscha
Edward Rusha
Edward Ruscha
Edward Joseph Ruscha IV
Speed
Anxiety
Subject
Became
General
Subjects
Modern
Angeles
Life
Metaphor

More quotes by Edward Ruscha

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I think the most interesting stuff comes from people who've just got nothing to lose. You know, let's kamikaze this thing - just throw themselves in it, devil may care.
Edward Ruscha
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Above all, the photographs I use are not arty in any sense of the word. I think photography is dead as fine art its only place is in the commercial world, for technical or information purposes.
Edward Ruscha
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When I first did the book on gasoline stations, people would look at it and say, Are you kidding or what? Why are you doing this? In a sense, that's what I was after: I was after the head-scratching.
Edward Ruscha
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The difference between psychedelia and digitalia ages will seem like a smooth blending in years to come and will be a mere blip on the screen.
Edward Ruscha
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Unfortunately, there was no Jackson Pollock of the camera.
Edward Ruscha
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When you're on a highway, viewing the western U.S. with the mountains and the flatness and the desert and all that, it's very much like my paintings.
Edward Ruscha
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Traveling is irritating to me, but not driving. Going to the airport makes me nervous, but when I set out to just take a leisurely drive, it's blue skies and puffy clouds and time.
Edward Ruscha
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Good art should elicit a response of 'Huh? Wow!' as opposed to ‘Wow! Huh?'
Edward Ruscha
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I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
Edward Ruscha
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Nothing's changed except the dates on the newspapers. I'm in my same skin thinking the same old thoughts. The difference between psychedelia and digitalia ages will seem like a smooth blending in years to come and will be a mere blip on the screen.
Edward Ruscha
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When I began painting, all my paintings were of words which were gutteral utterances like Smash, Boss, Eat. Those words were like flowers in a vase.
Edward Ruscha
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Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
Edward Ruscha
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All my artistic response comes from American things, and I guess I've always had a weakness for heroic imagery.
Edward Ruscha
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I don't do social media of any kind. If I did, I may as well join Scientology.
Edward Ruscha
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I barely knew I wanted to be an artist. I liked my art classes and painting was fun, I guess, but I didn't realize that seeing the country was going to inspire me to further explore that... but that's what it did.
Edward Ruscha
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Part of ego is displaying the ego. I've got ego, and I think I'm really good. But maybe I fall down in trying to sell it to people.
Edward Ruscha
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People refuse to believe that I've never been to Starbucks or Disneyland.
Edward Ruscha
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Traveling to Europe and traveling in the U.S.A. was a much different experience. 'On the Road' exemplified everything glamorous that was happening on this side of the planet. The book puts off some kind of sweet melody - part hope for the world, part nostalgic.
Edward Ruscha
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I have no social agenda with my work. I'm deadpan about it.
Edward Ruscha
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I'm interested in glorifying something that we in the world would say doesn't deserve being glorified. Something that's forgotten, focused on as though it were some sort of sacred object.
Edward Ruscha