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Any questions I had about whether a redneck from Oklahoma could become a Brown Classical Philosophy professor ended when I met Tim [Blake Nelson].

Edward Norton

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Edward Norton
Age: 55
Born: 1969
Born: August 18
Actor
Character Actor
Environmentalist
Film Actor
Film Director
Film Producer
Journalist
Screenwriter
Stage Actor
Television Actor
Boston
Massachusetts
Edward Harrison Norton
Brown
Blake
Mets
Oklahoma
Questions
Nelson
Philosophy
Redneck
Whether
Professor
Become
Classical
Professors
Ended

More quotes by Edward Norton

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When I was about 16 or 17, I had a teacher who took a group of us to the National Theater in Washington, D.C., and I saw Ian McKellen do his one-man show - I think it was called Acting Shakespeare - and it completely bombed me it put the zap on my brain in a big way.
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You dream as an actor's director of letting moments breathe through two-shots.
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Young people know how to use these social networking tools, and they know how to use them effectively.
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You can do things in twin scenes now you couldn't before. You can implement actual moving cameras.
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As an actor, I don't have any politics. As an actor, I'm driven more by an authentic - I would say an obsessive-compulsive-disorder level-fixation on mimicry, tonality of voice, to literally imitate something until I can just disappear into it.
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The film industry needs to confront the physical footprint of the way films get made.
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If there's a criteria that really gets me interested in a work besides any type of personal interaction with the theme, it's if I feel like this is the right piece of work for that director at that moment in their career.
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Fame is very corrosive and you have to guard very strictly against it.
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People say you can't make movies about your politics or the environment. And, generally speaking, I completely divide those sides of my brain.
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With Edward Norton you'd never say, This is the one we're going with whether you like it or not. It has to be agreed upon.
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In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.
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When I was very small, I had that first-time-you-see-a-play experience, which immediately made me want to act, because it seemed like this incredible outlet for something I was already doing fairly compulsively anyway, which was putting on hats and costumes and doing funny voices. It was a very natural compulsion for me.
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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
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My greatest hope is that we transcend the most fearful thing, which is that we are rapidly degrading the ecological systems on this planet that support everything we are doing and all life on it.
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It's better for people to miss you than to have seen too much of you.
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I had a huge advantage with Edward Norton because he's directed a movie before, so one thing he appreciates is how hard my job is, he's very sensitive to that. We actually ended up finishing Leaves of Grass a day early.
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I thought Rounders was a comic movie in its way. First time I directed a movie, I wanted to do a comedy. I don't like things that are superficially one thing or another, mainly. My favorite comedies are really smart, too, and have a lot of levels to them as well.
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The incentive for business is not, and cannot, be anything other than the root incentive for all business: they must profit.
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I think technology is having a democratising effect on film.
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The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
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