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Any questions I had about whether a redneck from Oklahoma could become a Brown Classical Philosophy professor ended when I met Tim [Blake Nelson].
Edward Norton
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Edward Norton
Age: 55
Born: 1969
Born: August 18
Actor
Character Actor
Environmentalist
Film Actor
Film Director
Film Producer
Journalist
Screenwriter
Stage Actor
Television Actor
Boston
Massachusetts
Edward Harrison Norton
Mets
Oklahoma
Questions
Nelson
Philosophy
Redneck
Whether
Professor
Become
Classical
Professors
Ended
Brown
Blake
More quotes by Edward Norton
When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want.
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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
Edward Norton
I remember as a kid having the offer of a scholarship, that it was going to be like going to Mars, and deciding to stay in my public school.
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It's better for people to miss you than to have seen too much of you.
Edward Norton
I wish I were more musically gifted, more intuitive in playing instruments.
Edward Norton
When I was about 16 or 17, I had a teacher who took a group of us to the National Theater in Washington, D.C., and I saw Ian McKellen do his one-man show - I think it was called Acting Shakespeare - and it completely bombed me it put the zap on my brain in a big way.
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The more you do your homework, the more you're free to be intuitive. But you've got to put the work in.
Edward Norton
The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
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You always end up getting involved in things because of, you know, the strange things your life brings you into contact with.
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If I ever have to stop taking the subway, I'm gonna have a heart attack.
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Young people know how to use these social networking tools, and they know how to use them effectively.
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All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It's fun, and it's fun because it's hard.
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I tend to relate to a character in terms of the arc: what's interesting is where he starts versus where he ends up.
Edward Norton
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
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Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.
Edward Norton
On the downside, to paraphrase Thom Yorke talking about the music business, we're still having to deal with the stench of the last fart of the dying corpse of this regressive vision that America is a white, middle-aged, male, conservative country.
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If there's a criteria that really gets me interested in a work besides any type of personal interaction with the theme, it's if I feel like this is the right piece of work for that director at that moment in their career.
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I think it's a total fallacy for people to say, You couldn't make those old movies today. I think there's more ways to get a movie made today than ever in the history of the entertainment industry. It's a very exciting time to work in movies, if you're a creative person looking to make a very personal, weird vision.
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To cite my own alma mater, it's shocking to me that Yale University can teach what it teaches at the Yale School of Environmental Studies and utterly fail to mirror those values in any way in its investment practices.
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You dream as an actor's director of letting moments breathe through two-shots.
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