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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
Edward Norton
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Edward Norton
Age: 55
Born: 1969
Born: August 18
Actor
Character Actor
Environmentalist
Film Actor
Film Director
Film Producer
Journalist
Screenwriter
Stage Actor
Television Actor
Boston
Massachusetts
Edward Harrison Norton
Independent
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Films
Boutique
Film
Institutionalized
Every
Practically
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Sometimes their oppression of emotion and the weird way it comes out is more interesting than painting it in bold primary colors.
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I wish I were more musically gifted, more intuitive in playing instruments.
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I had a huge advantage with Edward Norton because he's directed a movie before, so one thing he appreciates is how hard my job is, he's very sensitive to that. We actually ended up finishing Leaves of Grass a day early.
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Making really great music, making really great films, writing great books is an antidote to all of that. And, as people, as artists, some of the massive disruption that technology is causing is so exciting, the way that people can share creativity now.
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Any questions I had about whether a redneck from Oklahoma could become a Brown Classical Philosophy professor ended when I met Tim [Blake Nelson].
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Sometimes we don't see certain things until we're ready to see them in a certain way.
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A lot of why I do something is just the novelty of the experience.
Edward Norton
I think technology is having a democratising effect on film.
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For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.
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I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
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The incentive for business is not, and cannot, be anything other than the root incentive for all business: they must profit.
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I get heartbroken flying into L.A. It's just this feeling of unspecific loss. Can you imagine what the San Fernando Valley was when it was all wheat fields? Can you imagine what John Steinbeck saw?
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Just because you've made a couple movies, you've done some good movies, you've been nominated for some Academy Awards, whatever, nobody's entitled. It's a business. If they don't see it, I can think they're wrong, but I'm not entitled to a $15 million budget to make a film.
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Most of what I know about environmental conservation I learned from my father, who has been a leader within the movement for over 30 years.
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I studied French forever, and when do I ever speak French? I clearly should have studied Spanish. I wish I had stuck with music, because that would still be great. I really wish I had learned to surf earlier in my life.
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If I ever have to stop taking the subway, I'm gonna have a heart attack.
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When I think of my background, if I was privileged on any level, it was in terms of the kind of exposure to experience and bohe-mian cultural influence that my parents and my uncles and my grandfather gave me. On both sides I come from an extremely eccentric, artsy, intellectually intense, activist family.
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The film industry needs to confront the physical footprint of the way films get made.
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I start to get fixated on a story and a character and an idea, and at a certain point, I really want to do it. It's a compulsion to explore a specific thing, as opposed to a compulsion to direct, generally speaking.
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