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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
Edward Norton
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Edward Norton
Age: 55
Born: 1969
Born: August 18
Actor
Character Actor
Environmentalist
Film Actor
Film Director
Film Producer
Journalist
Screenwriter
Stage Actor
Television Actor
Boston
Massachusetts
Edward Harrison Norton
Studios
Independent
Arthouse
Films
Boutique
Film
Institutionalized
Every
Practically
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Studio
More quotes by Edward Norton
The more you do your homework, the more you're free to be intuitive. But you've got to put the work in.
Edward Norton
The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
Edward Norton
Young people know how to use these social networking tools, and they know how to use them effectively.
Edward Norton
Instead of telling the world what you're eating for breakfast, you can use social networking to do something that's meaningful.
Edward Norton
I've observed over and over that people seem to get a much deeper sense of fulfillment out of something they've done as an act of service than out of the things they do for themselves.
Edward Norton
When I was about 16 or 17, I had a teacher who took a group of us to the National Theater in Washington, D.C., and I saw Ian McKellen do his one-man show - I think it was called Acting Shakespeare - and it completely bombed me it put the zap on my brain in a big way.
Edward Norton
I had a huge advantage with Edward Norton because he's directed a movie before, so one thing he appreciates is how hard my job is, he's very sensitive to that. We actually ended up finishing Leaves of Grass a day early.
Edward Norton
You can do things in twin scenes now you couldn't before. You can implement actual moving cameras.
Edward Norton
I'm a Tulsa Jew and I have a religious upbringing.
Edward Norton
I get heartbroken flying into L.A. It's just this feeling of unspecific loss. Can you imagine what the San Fernando Valley was when it was all wheat fields? Can you imagine what John Steinbeck saw?
Edward Norton
When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want.
Edward Norton
I remember as a kid having the offer of a scholarship, that it was going to be like going to Mars, and deciding to stay in my public school.
Edward Norton
I'm pretty busy in my life and I'm very aware of what it takes to direct a movie. It takes a lot out of you it takes a lot out of the rest of your life, from other people in your life. I don't lie around hungering for that consumption very often.
Edward Norton
When people come together too young, they try to become one person. As you get older, you realize that you don't want to become one person because then you lose the person you are.
Edward Norton
To me, Fight Club was a comedy. When [David] Fincher sent me the book and I read it, the first thing I asked him was, This is a comedy, right? he said, Yeah, that's the whole point, and I said, Okay, I'm in. I certainly wasn't imagining myself as a dramatic actor when I was running around in my underwear in that film.
Edward Norton
If you try to make interesting films, you're going to be disappointed most of the time. I choose just not to look at it that way.
Edward Norton
All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It's fun, and it's fun because it's hard.
Edward Norton
For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.
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In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.
Edward Norton
I start to get fixated on a story and a character and an idea, and at a certain point, I really want to do it. It's a compulsion to explore a specific thing, as opposed to a compulsion to direct, generally speaking.
Edward Norton
