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I'm not particularly precious about the theatrical experience any more.

Edward Norton

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Edward Norton
Age: 55
Born: 1969
Born: August 18
Actor
Character Actor
Environmentalist
Film Actor
Film Director
Film Producer
Journalist
Screenwriter
Stage Actor
Television Actor
Boston
Massachusetts
Edward Harrison Norton
Theatrical
Precious
Particularly
Experience

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I don't smoke and I don't want to smoke. I am not a fan of gratuitous smoking in films.
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I get heartbroken flying into L.A. It's just this feeling of unspecific loss. Can you imagine what the San Fernando Valley was when it was all wheat fields? Can you imagine what John Steinbeck saw?
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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
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You dream as an actor's director of letting moments breathe through two-shots.
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It's dismaying to see the unilateralism that the government is doing.
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Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.
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I start to get fixated on a story and a character and an idea, and at a certain point, I really want to do it. It's a compulsion to explore a specific thing, as opposed to a compulsion to direct, generally speaking.
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If there's a criteria that really gets me interested in a work besides any type of personal interaction with the theme, it's if I feel like this is the right piece of work for that director at that moment in their career.
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I grow tired of intelligence having such a limited manifestation in movies - intelligence usually meaning coastal, with a certain level of formal education.
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Obviously plastics have served very important purposes and been incredibly convenient but as we begin to witness the long-term consequences of the chemical components leaching into our water and our bodies, we're going to be forced to look for alternatives to how we package goods and food.
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What has always been most interesting about acting to me personally is that it affords you the chance to shift gears, both in terms of the experiences you get to have through doing it, but also the different kinds of things you get to represent.
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As we say in the sewer, time and tide wait for no man.
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I knew Danny DeVito and he knew me, so he wanted me to try Death to Smoochy. I loved that stuff and had a great time doing it.
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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
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It's better for people to miss you than to have seen too much of you.
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I've observed over and over that people seem to get a much deeper sense of fulfillment out of something they've done as an act of service than out of the things they do for themselves.
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People are worried about the degree to which corporate interest is starting to threaten human interest.
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All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It's fun, and it's fun because it's hard.
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To cite my own alma mater, it's shocking to me that Yale University can teach what it teaches at the Yale School of Environmental Studies and utterly fail to mirror those values in any way in its investment practices.
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Most of what I know about environmental conservation I learned from my father, who has been a leader within the movement for over 30 years.
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