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All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It's fun, and it's fun because it's hard.

Edward Norton

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Edward Norton
Age: 55
Born: 1969
Born: August 18
Actor
Character Actor
Environmentalist
Film Actor
Film Director
Film Producer
Journalist
Screenwriter
Stage Actor
Television Actor
Boston
Massachusetts
Edward Harrison Norton
People
Shade
Impulse
Easily
Reducible
Characters
Shades
Fun
Paradoxical
Character
Impulses
Hard
Ambiguity
Like
Contradictory

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If I'm trying to put size on for a role, then I don't do much running.
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I'm a Tulsa Jew and I have a religious upbringing.
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You dream as an actor's director of letting moments breathe through two-shots.
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I studied French forever, and when do I ever speak French? I clearly should have studied Spanish. I wish I had stuck with music, because that would still be great. I really wish I had learned to surf earlier in my life.
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Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.
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The Zionist Tulsa Jew who's pugnacious is a reality. I grew up around it. And I think it's really, really funny and surprising and unlikely.
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I don't flatter myself - I'm not a scientist, I'm not a conservation expert.
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As we say in the sewer, if you're not prepared to go all the way, don't put your boots on in the first place.
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When I think of my background, if I was privileged on any level, it was in terms of the kind of exposure to experience and bohe-mian cultural influence that my parents and my uncles and my grandfather gave me. On both sides I come from an extremely eccentric, artsy, intellectually intense, activist family.
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When I was very small, I had that first-time-you-see-a-play experience, which immediately made me want to act, because it seemed like this incredible outlet for something I was already doing fairly compulsively anyway, which was putting on hats and costumes and doing funny voices. It was a very natural compulsion for me.
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Anybody who is running a marathon or doing a walkathon, doing a fundraiser for their school, their company, by far it's guaranteed the easiest and most fun way to quickly set up a fundraising campaign and send it around to your friends and family.
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If there's a criteria that really gets me interested in a work besides any type of personal interaction with the theme, it's if I feel like this is the right piece of work for that director at that moment in their career.
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The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
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Just because you've made a couple movies, you've done some good movies, you've been nominated for some Academy Awards, whatever, nobody's entitled. It's a business. If they don't see it, I can think they're wrong, but I'm not entitled to a $15 million budget to make a film.
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In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.
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The film industry needs to confront the physical footprint of the way films get made.
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Instead of telling the world what you're eating for breakfast, you can use social networking to do something that's meaningful.
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There are tens of thousands of charities and hundreds of thousands, getting towards millions, of people now using it. And when I flip through it, I'm just blown away by people.
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I don't smoke and I don't want to smoke. I am not a fan of gratuitous smoking in films.
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I had a huge advantage with Edward Norton because he's directed a movie before, so one thing he appreciates is how hard my job is, he's very sensitive to that. We actually ended up finishing Leaves of Grass a day early.
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