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Yes, linseed oil. I used to use poppy oil, but I have heard that poppy oil is given to cracking pigment too, so I use it no longer.

Edward Hopper

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Edward Hopper
Age: 84 †
Born: 1882
Born: July 21
Died: 1967
Died: May 15
Drawer
Engraver
Graphic Artist
Illustrator
Painter
Nyack
New York
Oil
Longer
Heard
Use
Given
Pigment
Used
Poppy
Cracking
Poppies

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More of me comes out when I improvise.
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When I don't feel in the mood for painting I go to the movies for a week or more. I go on a regular movie binge!
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It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method.
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If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.
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Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.
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Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.
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Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.
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The only real influence I've ever had was myself.
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I once got a little camera to use for details of architecture and so forth but the photo was always so different from the perspective the eye gives, I gave it up.
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It's (the lack of communication between the people in his paintings, ed.) probably a reflection of my own, if I may say, loneliness. I don't know. It could be the whole human condition.
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The question of the value of nationality in art is perhaps unsolvable.
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No amount of skillful invention can replace the essential element of imagination.
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The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.
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Well, I have a very simple method of painting.
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I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.
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So many people say painting is fun. I don't find it fun at all. It's hard work for me.
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If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary.
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I think that zinc white has a property of scaling and cracking.
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What I wanted to do was to paint sunlight on the side of a house.
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So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect. But these are things for the psychologist to untangle.
Edward Hopper