Quote

Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.

Edward Hopper

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Edward Hopper
Age: 84 †
Born: 1882
Born: July 21
Died: 1967
Died: May 15
Drawer
Engraver
Graphic Artist
Illustrator
Painter
Nyack
New York
Always
Cities
Sensations
Bigs
Describe
Artist
Entirely
Wells
Train
Human
Exactly
Humans
City
Well
Interested
Aesthetics
Nothing
Perhaps
Approaching

More quotes by Edward Hopper

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When I don't feel in the mood for painting I go to the movies for a week or more. I go on a regular movie binge!
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Well, I have a very simple method of painting.
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No amount of skillful invention can replace the essential element of imagination.
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Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.
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So many people say painting is fun. I don't find it fun at all. It's hard work for me.
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It's (the lack of communication between the people in his paintings, ed.) probably a reflection of my own, if I may say, loneliness. I don't know. It could be the whole human condition.
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I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.
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Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.
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Yes, linseed oil. I used to use poppy oil, but I have heard that poppy oil is given to cracking pigment too, so I use it no longer.
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If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.
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After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.
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If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary.
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It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method.
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More of me comes out when I improvise.
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I think that zinc white has a property of scaling and cracking.
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So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect. But these are things for the psychologist to untangle.
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The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.
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The question of the value of nationality in art is perhaps unsolvable.
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The only real influence I've ever had was myself.
Edward Hopper
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What I wanted to do was to paint sunlight on the side of a house.
Edward Hopper