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The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.

Edward Hopper

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Edward Hopper
Age: 84 †
Born: 1882
Born: July 21
Died: 1967
Died: May 15
Drawer
Engraver
Graphic Artist
Illustrator
Painter
Nyack
New York
Art
Ideal
Decorative
Seems
Contemporary
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Deny
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More quotes by Edward Hopper

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I think that zinc white has a property of scaling and cracking.
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What I wanted to do was to paint sunlight on the side of a house.
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The only real influence I've ever had was myself.
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The question of the value of nationality in art is perhaps unsolvable.
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So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect. But these are things for the psychologist to untangle.
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Well, I have a very simple method of painting.
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When I don't feel in the mood for painting I go to the movies for a week or more. I go on a regular movie binge!
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After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.
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Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.
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I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.
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If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.
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I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.
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Yes, linseed oil. I used to use poppy oil, but I have heard that poppy oil is given to cracking pigment too, so I use it no longer.
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Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.
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I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions.
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If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary.
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More of me comes out when I improvise.
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Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.
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So many people say painting is fun. I don't find it fun at all. It's hard work for me.
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I once got a little camera to use for details of architecture and so forth but the photo was always so different from the perspective the eye gives, I gave it up.
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