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The poets needed to learn to pay greater attention to character and to narrative.

Edward Hirsch

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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Needed
Greater
Attention
Learn
Poets
Character
Narrative
Poet
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More quotes by Edward Hirsch

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think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.
Edward Hirsch
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I think poetry will survive and I don't think it will be the end of poetry. Our tremendous onslaught of mass media all the time that we're suffering and we don't really know how to think about, I think that puts certain things at risk.
Edward Hirsch
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Reading poetry is an adventure in renewal, a creative act, a perpetual beginning, a rebirth of wonder.
Edward Hirsch
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The imagination is an organ of understanding. And the imagination needs all the faculties at hand, all the sensibility, all the conscious and unconscious intelligence it can galvanize to fulfill its luminous mission.
Edward Hirsch
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We will be able to achieve a just and prosperous society only when our schools ensure that everyone commands enough shared background knowledge to be able to communicate effectively with everyone else.
Edward Hirsch
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There has never been a great poet who wasn't also a great reader of poetry.
Edward Hirsch
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I have the idea that lyric poetry is a poetry that's driven by a sense of the presence of death. That there's something unbearable about the fact that we're going to die and that we can't stand it and I think you find that out in childhood and you don't really - at least I found it out in childhood and I found it hard to get over.
Edward Hirsch
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Language is an impure medium. Speech is public property and words are the soiled products, not of nature, but of society, which circulates and uses them for a thousand different ends.
Edward Hirsch
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It's not important - it's not necessary that you read everything. What is necessary is that you care about things that you read and that you find something that really matters to you and you try and make something like that.
Edward Hirsch
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There's the brilliant audacity of youth that poets strike upon in their earliest work sometimes that they never can hit upon again.
Edward Hirsch
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Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
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Cafeteria-style education, combined with the unwillingness of our schools to place demands on students, has resulted in a steady diminishment of commonly shared information between generations and between young people themselves.
Edward Hirsch
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And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.
Edward Hirsch
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A certain kind of poetry looks back at experience from an older perspective.
Edward Hirsch
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In Náhuatl, the language of the Aztec world, one key word for poet was 'tlamatine,' meaning 'the one who knows,' or 'he who knows something.' Poets were considered 'sages of the word,' who meditated on human enigmas and explored the beyond, the realm of the gods.
Edward Hirsch
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Gertrude Stein said, I write for myself and strangers. I would say I write for myself, strangers and the great dead.
Edward Hirsch
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A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Edward Hirsch
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I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.
Edward Hirsch
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She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.
Edward Hirsch
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Books and newspapers assume a common reader that is, a person who knows the things known by other literate persons in the culture. Obviously, such assumptions are never identical from writer to writer, but they show a remarkable consistency
Edward Hirsch