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And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.

Edward Hirsch

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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Tradition
Poetry
Stage
Whatever
Long
Something
Participating
Entering
Noble

More quotes by Edward Hirsch

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Sometimes the title comes to you at the beginning, sometimes it comes at the end. The very best way in my experience is when it comes in the middle.
Edward Hirsch
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I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry.
Edward Hirsch
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Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Edward Hirsch
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Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
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I mean, in the history of poetry there have been a lot poetries where you have to inherit the position of poet from your ancestors and I think that if you just leave anyone to become a poet based on an aristocratic society, then a lot of people are left out who might have something to offer.
Edward Hirsch
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One of the deep fundamentals of poetry is the recurrence of sounds, syllables, words, phrases, lines, and stanzas. Repetition can be one of the most intoxicating features of poetry. It creates expectations, which can be fulfilled or frustrated. It can create a sense of boredom and complacency, but it can also incite enchantment and inspire bliss.
Edward Hirsch
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In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.
Edward Hirsch
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When you find it you become the secret addressee of a literary text and I felt that their reader had been left out of this experience of reading poetry or what the experience of poetry was.
Edward Hirsch
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And Mandelstam says a poet - you go down to the shore and you see an unlikely looking from a bottle from the past, you open it. Mandelstam says, It's okay to do so. I'm not reading someone else's mail. It was addressed to whoever found it. I found it, therefore it's addressed to me.
Edward Hirsch
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But, the best times I have found, in my life, are late at night or early in the morning and I think it's because you're outside the social realm.
Edward Hirsch
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think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.
Edward Hirsch
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You can seek clarity, you can seek warmth, you can try to make something for lasting. You can pack something in salt so that it's well made and you can hope that it outlasts time. But, ultimately that's not up to you.
Edward Hirsch
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So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.
Edward Hirsch
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Emily Dickinson calls previous poets her kinsmen of the shelf. You can always be consoled by your kinsmen of the shelf and you can participate in poetry by going to them and by trying to make something worthy of them.
Edward Hirsch
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I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
Edward Hirsch
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I think poetry will survive and I don't think it will be the end of poetry. Our tremendous onslaught of mass media all the time that we're suffering and we don't really know how to think about, I think that puts certain things at risk.
Edward Hirsch
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There's the brilliant audacity of youth that poets strike upon in their earliest work sometimes that they never can hit upon again.
Edward Hirsch
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A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Edward Hirsch
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And my experience is the best titles, for me, emerge in the process of writing. They don't usually come at the very beginning and hopefully they don't come at the very end because then it's getting late in the day.
Edward Hirsch
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I think that as long as you have other poets before you and that you can learn from them, then it's always open ended for you.
Edward Hirsch