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The very good thing about MFA programs is their democratizing. They bring a lot of different people to the table.
Edward Hirsch
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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
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More quotes by Edward Hirsch
I mean, in the history of poetry there have been a lot poetries where you have to inherit the position of poet from your ancestors and I think that if you just leave anyone to become a poet based on an aristocratic society, then a lot of people are left out who might have something to offer.
Edward Hirsch
I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry.
Edward Hirsch
I have the idea that lyric poetry is a poetry that's driven by a sense of the presence of death. That there's something unbearable about the fact that we're going to die and that we can't stand it and I think you find that out in childhood and you don't really - at least I found it out in childhood and I found it hard to get over.
Edward Hirsch
The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections.
Edward Hirsch
So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.
Edward Hirsch
Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Edward Hirsch
So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.
Edward Hirsch
A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.
Edward Hirsch
There are many poets that use as my models. In my first book of poems, I had several for the Sleepwalkers, I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
Edward Hirsch
I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.
Edward Hirsch
A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Edward Hirsch
That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
Edward Hirsch
think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.
Edward Hirsch
I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
Edward Hirsch
I would keep in mind to a young poet that you are entering into something that is very important, that has always been important in terms of human concerns.
Edward Hirsch
The idea of a poem as a message in a bottle means that it's sent out towards some future reader and the reader who opens that bottle becomes the addressee of the literary text.
Edward Hirsch
Cafeteria-style education, combined with the unwillingness of our schools to place demands on students, has resulted in a steady diminishment of commonly shared information between generations and between young people themselves.
Edward Hirsch
The poets needed to learn to pay greater attention to character and to narrative.
Edward Hirsch
There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.
Edward Hirsch
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch