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And my experience is the best titles, for me, emerge in the process of writing. They don't usually come at the very beginning and hopefully they don't come at the very end because then it's getting late in the day.

Edward Hirsch

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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Writing
Usually
Late
Getting
Process
Experience
Emerge
Ends
Titles
Best
Hopefully
Come
Beginning

More quotes by Edward Hirsch

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There's never been a culture without poetry in the history of the world. In every culture, in every language there is expressive play, expressive word play, there's language use to different purposes that we would call poetry.
Edward Hirsch
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I didn't sit down then and start writing poems, but it was in the back of my mind.
Edward Hirsch
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Emily Dickinson calls previous poets her kinsmen of the shelf. You can always be consoled by your kinsmen of the shelf and you can participate in poetry by going to them and by trying to make something worthy of them.
Edward Hirsch
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When I was a freshman in college I went to Grinnell College in Iowa. I brought my poems to my freshman humanities teacher whose name was Carol Parsinan, a wonderful teacher. And Carol did a really great thing for me. She taught me more than anyone.
Edward Hirsch
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And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.
Edward Hirsch
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There's always some place to go. You don't need workshops, you don't need friends necessarily, you can be befriended by literature itself.
Edward Hirsch
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That you write a phrase or you think of something and it seems to have a deeper charge because the title has to be some kind of marker, something setting out a space, creating a space for what's going to come.
Edward Hirsch
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And Mandelstam says a poet - you go down to the shore and you see an unlikely looking from a bottle from the past, you open it. Mandelstam says, It's okay to do so. I'm not reading someone else's mail. It was addressed to whoever found it. I found it, therefore it's addressed to me.
Edward Hirsch
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When you find it you become the secret addressee of a literary text and I felt that their reader had been left out of this experience of reading poetry or what the experience of poetry was.
Edward Hirsch
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The idea of a poem as a message in a bottle means that it's sent out towards some future reader and the reader who opens that bottle becomes the addressee of the literary text.
Edward Hirsch
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We will be able to achieve a just and prosperous society only when our schools ensure that everyone commands enough shared background knowledge to be able to communicate effectively with everyone else.
Edward Hirsch
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She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.
Edward Hirsch
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Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
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I did not know the work of mourning Is a labor in the dark We carry inside ourselves
Edward Hirsch
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The very good thing about MFA programs is their democratizing. They bring a lot of different people to the table.
Edward Hirsch
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So, the result though is by the time I've got something, it's been worked over so many times that although I do make changes as the end, often by the time I've gotten it, it's pretty much completed.
Edward Hirsch
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Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.
Edward Hirsch
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That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
Edward Hirsch
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In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.
Edward Hirsch
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A hook shot kisses the rim and hangs there, helplessly, but doesn't drop and for once our gangly starting center boxes out his man and times his jump perfectly, gathering the orange leather/from the air like a cherished possession.
Edward Hirsch