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That you write a phrase or you think of something and it seems to have a deeper charge because the title has to be some kind of marker, something setting out a space, creating a space for what's going to come.
Edward Hirsch
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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Thinking
Write
Charge
Seems
Phrases
Come
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Titles
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Kind
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Something
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More quotes by Edward Hirsch
Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.
Edward Hirsch
There's the brilliant audacity of youth that poets strike upon in their earliest work sometimes that they never can hit upon again.
Edward Hirsch
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
Now, the process of writing poetry is very messy. Not systematic, never quite the same
Edward Hirsch
When I was a freshman in college I went to Grinnell College in Iowa. I brought my poems to my freshman humanities teacher whose name was Carol Parsinan, a wonderful teacher. And Carol did a really great thing for me. She taught me more than anyone.
Edward Hirsch
And every year there is a brief, startling moment When we pause in the middle of a long walk home and Suddenly feel something invisible and weightless Touching our shoulders, sweeping down from the air: It is the autumn wind pressing against our bodies It is the changing light of fall falling on us.
Edward Hirsch
You're alone with yourself and your own feelings and that gives you deeper access to what you need to get in touch with to write poetry.
Edward Hirsch
So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.
Edward Hirsch
There are many poets that use as my models. In my first book of poems, I had several for the Sleepwalkers, I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
Edward Hirsch
The poets needed to learn to pay greater attention to character and to narrative.
Edward Hirsch
think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.
Edward Hirsch
Television watching does reduce reading and often encroaches on homework. Much of it is admittedly the intellectual equivalent of junk food. But in some respects, such as its use of standard written English, television watching is acculturative.
Edward Hirsch
So, the result though is by the time I've got something, it's been worked over so many times that although I do make changes as the end, often by the time I've gotten it, it's pretty much completed.
Edward Hirsch
And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.
Edward Hirsch
That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
Edward Hirsch
And Mandelstam says a poet - you go down to the shore and you see an unlikely looking from a bottle from the past, you open it. Mandelstam says, It's okay to do so. I'm not reading someone else's mail. It was addressed to whoever found it. I found it, therefore it's addressed to me.
Edward Hirsch
So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.
Edward Hirsch
I am a tiny seashell that has secretly drifted ashore and carries the sound of the ocean surging through its body.
Edward Hirsch
A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Edward Hirsch
Books and newspapers assume a common reader that is, a person who knows the things known by other literate persons in the culture. Obviously, such assumptions are never identical from writer to writer, but they show a remarkable consistency
Edward Hirsch