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There are many poets that use as my models. In my first book of poems, I had several for the Sleepwalkers, I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
Edward Hirsch
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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
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More quotes by Edward Hirsch
That you write a phrase or you think of something and it seems to have a deeper charge because the title has to be some kind of marker, something setting out a space, creating a space for what's going to come.
Edward Hirsch
Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.
Edward Hirsch
I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.
Edward Hirsch
A poem is a hand, a hook, a prayer. It is a soul in action.
Edward Hirsch
She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.
Edward Hirsch
The poets needed to learn to pay greater attention to character and to narrative.
Edward Hirsch
I mean, in the history of poetry there have been a lot poetries where you have to inherit the position of poet from your ancestors and I think that if you just leave anyone to become a poet based on an aristocratic society, then a lot of people are left out who might have something to offer.
Edward Hirsch
So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.
Edward Hirsch
When you find it you become the secret addressee of a literary text and I felt that their reader had been left out of this experience of reading poetry or what the experience of poetry was.
Edward Hirsch
Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Edward Hirsch
I wish I wrote drafts and then revised them, but I don't. What I do is I seem to revise as I go.
Edward Hirsch
You can seek clarity, you can seek warmth, you can try to make something for lasting. You can pack something in salt so that it's well made and you can hope that it outlasts time. But, ultimately that's not up to you.
Edward Hirsch
think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.
Edward Hirsch
There's never been a culture without poetry in the history of the world. In every culture, in every language there is expressive play, expressive word play, there's language use to different purposes that we would call poetry.
Edward Hirsch
The imagination is an organ of understanding. And the imagination needs all the faculties at hand, all the sensibility, all the conscious and unconscious intelligence it can galvanize to fulfill its luminous mission.
Edward Hirsch
The great post-Holocaust poet, Paul Celan, said that a poem is a message in a bottle sent out in the not always greatly hopeful belief that somewhere and some time it would wash up on land on heartland perhaps.
Edward Hirsch
And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.
Edward Hirsch
Books and newspapers assume a common reader that is, a person who knows the things known by other literate persons in the culture. Obviously, such assumptions are never identical from writer to writer, but they show a remarkable consistency
Edward Hirsch
And Mandelstam says a poet - you go down to the shore and you see an unlikely looking from a bottle from the past, you open it. Mandelstam says, It's okay to do so. I'm not reading someone else's mail. It was addressed to whoever found it. I found it, therefore it's addressed to me.
Edward Hirsch
A hook shot kisses the rim and hangs there, helplessly, but doesn't drop and for once our gangly starting center boxes out his man and times his jump perfectly, gathering the orange leather/from the air like a cherished possession.
Edward Hirsch