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There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.

Edward Hirsch

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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Poetry
History
Tell
Also
Distressing
Sometimes
Hasn
Great
Poet
Reader
Students

More quotes by Edward Hirsch

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I would be happier if people who went through MFA programs also were already, by then, deeply committed readers of poetry because we need readers of poetry as much as writers of poetry.
Edward Hirsch
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So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.
Edward Hirsch
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When you find it you become the secret addressee of a literary text and I felt that their reader had been left out of this experience of reading poetry or what the experience of poetry was.
Edward Hirsch
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So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.
Edward Hirsch
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You're alone with yourself and your own feelings and that gives you deeper access to what you need to get in touch with to write poetry.
Edward Hirsch
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The very good thing about MFA programs is their democratizing. They bring a lot of different people to the table.
Edward Hirsch
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Cafeteria-style education, combined with the unwillingness of our schools to place demands on students, has resulted in a steady diminishment of commonly shared information between generations and between young people themselves.
Edward Hirsch
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And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.
Edward Hirsch
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The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections.
Edward Hirsch
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Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Edward Hirsch
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One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
Edward Hirsch
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So, the result though is by the time I've got something, it's been worked over so many times that although I do make changes as the end, often by the time I've gotten it, it's pretty much completed.
Edward Hirsch
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The poets needed to learn to pay greater attention to character and to narrative.
Edward Hirsch
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I wish I wrote drafts and then revised them, but I don't. What I do is I seem to revise as I go.
Edward Hirsch
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A hook shot kisses the rim and hangs there, helplessly, but doesn't drop and for once our gangly starting center boxes out his man and times his jump perfectly, gathering the orange leather/from the air like a cherished possession.
Edward Hirsch
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But, something has to be worked through formally as well as emotionally. Now, when those two things come together I've got something, I think, that I can be proud of.
Edward Hirsch
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One of the deep fundamentals of poetry is the recurrence of sounds, syllables, words, phrases, lines, and stanzas. Repetition can be one of the most intoxicating features of poetry. It creates expectations, which can be fulfilled or frustrated. It can create a sense of boredom and complacency, but it can also incite enchantment and inspire bliss.
Edward Hirsch
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I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
Edward Hirsch
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I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.
Edward Hirsch
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Emily Dickinson calls previous poets her kinsmen of the shelf. You can always be consoled by your kinsmen of the shelf and you can participate in poetry by going to them and by trying to make something worthy of them.
Edward Hirsch