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I am a tiny seashell that has secretly drifted ashore and carries the sound of the ocean surging through its body.

Edward Hirsch

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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Body
Surging
Drifted
Secretly
Carries
Carrie
Tiny
Ocean
Sound
Ashore

More quotes by Edward Hirsch

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Books and newspapers assume a common reader that is, a person who knows the things known by other literate persons in the culture. Obviously, such assumptions are never identical from writer to writer, but they show a remarkable consistency
Edward Hirsch
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When I was a freshman in college I went to Grinnell College in Iowa. I brought my poems to my freshman humanities teacher whose name was Carol Parsinan, a wonderful teacher. And Carol did a really great thing for me. She taught me more than anyone.
Edward Hirsch
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One of the deep fundamentals of poetry is the recurrence of sounds, syllables, words, phrases, lines, and stanzas. Repetition can be one of the most intoxicating features of poetry. It creates expectations, which can be fulfilled or frustrated. It can create a sense of boredom and complacency, but it can also incite enchantment and inspire bliss.
Edward Hirsch
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I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.
Edward Hirsch
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And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.
Edward Hirsch
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In Náhuatl, the language of the Aztec world, one key word for poet was 'tlamatine,' meaning 'the one who knows,' or 'he who knows something.' Poets were considered 'sages of the word,' who meditated on human enigmas and explored the beyond, the realm of the gods.
Edward Hirsch
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One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
Edward Hirsch
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A certain kind of poetry looks back at experience from an older perspective.
Edward Hirsch
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I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.
Edward Hirsch
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There's the brilliant audacity of youth that poets strike upon in their earliest work sometimes that they never can hit upon again.
Edward Hirsch
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A poem is a hand, a hook, a prayer. It is a soul in action.
Edward Hirsch
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The imagination is an organ of understanding. And the imagination needs all the faculties at hand, all the sensibility, all the conscious and unconscious intelligence it can galvanize to fulfill its luminous mission.
Edward Hirsch
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I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry.
Edward Hirsch
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The poets needed to learn to pay greater attention to character and to narrative.
Edward Hirsch
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There has never been a great poet who wasn't also a great reader of poetry.
Edward Hirsch
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Gertrude Stein said, I write for myself and strangers. I would say I write for myself, strangers and the great dead.
Edward Hirsch
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A hook shot kisses the rim and hangs there, helplessly, but doesn't drop and for once our gangly starting center boxes out his man and times his jump perfectly, gathering the orange leather/from the air like a cherished possession.
Edward Hirsch
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Cafeteria-style education, combined with the unwillingness of our schools to place demands on students, has resulted in a steady diminishment of commonly shared information between generations and between young people themselves.
Edward Hirsch
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In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.
Edward Hirsch
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I need to live like that crooked tree--... that knelt down in the hardest winds but could not be blasted away.
Edward Hirsch