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I am a tiny seashell that has secretly drifted ashore and carries the sound of the ocean surging through its body.

Edward Hirsch

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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Body
Surging
Drifted
Secretly
Carries
Carrie
Tiny
Ocean
Sound
Ashore

More quotes by Edward Hirsch

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Cafeteria-style education, combined with the unwillingness of our schools to place demands on students, has resulted in a steady diminishment of commonly shared information between generations and between young people themselves.
Edward Hirsch
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Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
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So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.
Edward Hirsch
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I didn't sit down then and start writing poems, but it was in the back of my mind.
Edward Hirsch
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Gertrude Stein said, I write for myself and strangers. I would say I write for myself, strangers and the great dead.
Edward Hirsch
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The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections.
Edward Hirsch
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That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
Edward Hirsch
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But, that was the beginning, though I didn't start writing until I was in high school and when I was in high school I really began to write poetry with great energy and enthusiasm.
Edward Hirsch
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I guess that would have been 1968. I was a freshman in college and I wasn't writing good poems, but I was at least trying to write poems then.
Edward Hirsch
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There are many poets that use as my models. In my first book of poems, I had several for the Sleepwalkers, I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
Edward Hirsch
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I have the idea that lyric poetry is a poetry that's driven by a sense of the presence of death. That there's something unbearable about the fact that we're going to die and that we can't stand it and I think you find that out in childhood and you don't really - at least I found it out in childhood and I found it hard to get over.
Edward Hirsch
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I think fiction goes to poetry for the intensity of its use of language.
Edward Hirsch
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I need to live like that crooked tree--... that knelt down in the hardest winds but could not be blasted away.
Edward Hirsch
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The very good thing about MFA programs is their democratizing. They bring a lot of different people to the table.
Edward Hirsch
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So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.
Edward Hirsch
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A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Edward Hirsch
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When you find it you become the secret addressee of a literary text and I felt that their reader had been left out of this experience of reading poetry or what the experience of poetry was.
Edward Hirsch
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There's always some place to go. You don't need workshops, you don't need friends necessarily, you can be befriended by literature itself.
Edward Hirsch
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I would be happier if people who went through MFA programs also were already, by then, deeply committed readers of poetry because we need readers of poetry as much as writers of poetry.
Edward Hirsch
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One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
Edward Hirsch