Quote

And every year there is a brief, startling moment When we pause in the middle of a long walk home and Suddenly feel something invisible and weightless Touching our shoulders, sweeping down from the air: It is the autumn wind pressing against our bodies It is the changing light of fall falling on us.

Edward Hirsch

Change background

T
T
T

Change font

TAGS & TOPICS

Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Body
Walks
Falling
Pressing
Feel
Middle
Bodies
Sweeping
Feels
Year
Invisible
Pause
Every
Moment
Suddenly
Pauses
Long
Fall
Changing
Brief
Something
Moments
Air
Autumn
Years
Light
Walk
Touching
Weightless
Home
Wind
Shoulders
Startling

More quotes by Edward Hirsch

Image
So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.
Edward Hirsch
Image
Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.
Edward Hirsch
Image
So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.
Edward Hirsch
Image
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
Edward Hirsch
Image
I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.
Edward Hirsch
Image
Reading poetry is an adventure in renewal, a creative act, a perpetual beginning, a rebirth of wonder.
Edward Hirsch
Image
A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.
Edward Hirsch
Image
The poets needed to learn to pay greater attention to character and to narrative.
Edward Hirsch
Image
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
Image
I think fiction goes to poetry for the intensity of its use of language.
Edward Hirsch
Image
I would be happier if people who went through MFA programs also were already, by then, deeply committed readers of poetry because we need readers of poetry as much as writers of poetry.
Edward Hirsch
Image
One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
Edward Hirsch
Image
In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.
Edward Hirsch
Image
In high school I was leafing through an anthology that our teachers had given up and I found a poem, I go, That's so strange. This poem looks so much like my grandfather's poem.
Edward Hirsch
Image
That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
Edward Hirsch
Image
It's not important - it's not necessary that you read everything. What is necessary is that you care about things that you read and that you find something that really matters to you and you try and make something like that.
Edward Hirsch
Image
Gertrude Stein said, I write for myself and strangers. I would say I write for myself, strangers and the great dead.
Edward Hirsch
Image
Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Edward Hirsch
Image
But, the best times I have found, in my life, are late at night or early in the morning and I think it's because you're outside the social realm.
Edward Hirsch
Image
She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.
Edward Hirsch