Quote

And every year there is a brief, startling moment When we pause in the middle of a long walk home and Suddenly feel something invisible and weightless Touching our shoulders, sweeping down from the air: It is the autumn wind pressing against our bodies It is the changing light of fall falling on us.

Edward Hirsch

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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Something
Moments
Air
Autumn
Years
Light
Walk
Touching
Weightless
Home
Wind
Shoulders
Startling
Body
Walks
Falling
Pressing
Feel
Middle
Bodies
Sweeping
Feels
Year
Invisible
Pause
Every
Moment
Suddenly
Pauses
Long
Fall
Changing
Brief

More quotes by Edward Hirsch

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Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Edward Hirsch
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Cafeteria-style education, combined with the unwillingness of our schools to place demands on students, has resulted in a steady diminishment of commonly shared information between generations and between young people themselves.
Edward Hirsch
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That you write a phrase or you think of something and it seems to have a deeper charge because the title has to be some kind of marker, something setting out a space, creating a space for what's going to come.
Edward Hirsch
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In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.
Edward Hirsch
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I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
Edward Hirsch
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There has never been a great poet who wasn't also a great reader of poetry.
Edward Hirsch
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The idea of a poem as a message in a bottle means that it's sent out towards some future reader and the reader who opens that bottle becomes the addressee of the literary text.
Edward Hirsch
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When you find it you become the secret addressee of a literary text and I felt that their reader had been left out of this experience of reading poetry or what the experience of poetry was.
Edward Hirsch
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I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
Edward Hirsch
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Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.
Edward Hirsch
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I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry.
Edward Hirsch
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I was surprised recently to find a book called Poetry in Persons that's coming out about visit to poets to a class that Pearl London gave.
Edward Hirsch
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I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.
Edward Hirsch
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I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.
Edward Hirsch
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There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.
Edward Hirsch
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So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.
Edward Hirsch
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The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections.
Edward Hirsch
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There's never been a culture without poetry in the history of the world. In every culture, in every language there is expressive play, expressive word play, there's language use to different purposes that we would call poetry.
Edward Hirsch
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And my experience is the best titles, for me, emerge in the process of writing. They don't usually come at the very beginning and hopefully they don't come at the very end because then it's getting late in the day.
Edward Hirsch
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Now, the process of writing poetry is very messy. Not systematic, never quite the same
Edward Hirsch