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A hook shot kisses the rim and hangs there, helplessly, but doesn't drop and for once our gangly starting center boxes out his man and times his jump perfectly, gathering the orange leather/from the air like a cherished possession.
Edward Hirsch
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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Air
Boxes
Kisses
Times
Center
Leather
Shot
Hook
Doesn
Possession
Gathering
Gangly
Men
Kissing
Orange
Helplessly
Like
Shots
Jump
Rims
Starting
Drop
Hangs
Basketball
Perfectly
Cherished
More quotes by Edward Hirsch
Sometimes the title comes to you at the beginning, sometimes it comes at the end. The very best way in my experience is when it comes in the middle.
Edward Hirsch
So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.
Edward Hirsch
I have the idea that lyric poetry is a poetry that's driven by a sense of the presence of death. That there's something unbearable about the fact that we're going to die and that we can't stand it and I think you find that out in childhood and you don't really - at least I found it out in childhood and I found it hard to get over.
Edward Hirsch
I need to live like that crooked tree--... that knelt down in the hardest winds but could not be blasted away.
Edward Hirsch
Now, the process of writing poetry is very messy. Not systematic, never quite the same
Edward Hirsch
Gertrude Stein said, I write for myself and strangers. I would say I write for myself, strangers and the great dead.
Edward Hirsch
Cafeteria-style education, combined with the unwillingness of our schools to place demands on students, has resulted in a steady diminishment of commonly shared information between generations and between young people themselves.
Edward Hirsch
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
Edward Hirsch
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
Edward Hirsch
In Náhuatl, the language of the Aztec world, one key word for poet was 'tlamatine,' meaning 'the one who knows,' or 'he who knows something.' Poets were considered 'sages of the word,' who meditated on human enigmas and explored the beyond, the realm of the gods.
Edward Hirsch
The idea of a poem as a message in a bottle means that it's sent out towards some future reader and the reader who opens that bottle becomes the addressee of the literary text.
Edward Hirsch
She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.
Edward Hirsch
A certain kind of poetry looks back at experience from an older perspective.
Edward Hirsch
There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.
Edward Hirsch
So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.
Edward Hirsch
A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Edward Hirsch
I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry.
Edward Hirsch
The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections.
Edward Hirsch
That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
Edward Hirsch
