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A hook shot kisses the rim and hangs there, helplessly, but doesn't drop and for once our gangly starting center boxes out his man and times his jump perfectly, gathering the orange leather/from the air like a cherished possession.
Edward Hirsch
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Edward Hirsch
Age: 74
Born: 1950
Born: January 20
Poet
Chicago
Illinois
Basketball
Perfectly
Cherished
Air
Boxes
Kisses
Times
Center
Leather
Doesn
Shot
Hook
Men
Possession
Gathering
Gangly
Like
Kissing
Orange
Helplessly
Shots
Jump
Rims
Starting
Drop
Hangs
More quotes by Edward Hirsch
There's always some place to go. You don't need workshops, you don't need friends necessarily, you can be befriended by literature itself.
Edward Hirsch
She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.
Edward Hirsch
I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry.
Edward Hirsch
You can seek clarity, you can seek warmth, you can try to make something for lasting. You can pack something in salt so that it's well made and you can hope that it outlasts time. But, ultimately that's not up to you.
Edward Hirsch
But, that was the beginning, though I didn't start writing until I was in high school and when I was in high school I really began to write poetry with great energy and enthusiasm.
Edward Hirsch
And my experience is the best titles, for me, emerge in the process of writing. They don't usually come at the very beginning and hopefully they don't come at the very end because then it's getting late in the day.
Edward Hirsch
I am a tiny seashell that has secretly drifted ashore and carries the sound of the ocean surging through its body.
Edward Hirsch
The idea of a poem as a message in a bottle means that it's sent out towards some future reader and the reader who opens that bottle becomes the addressee of the literary text.
Edward Hirsch
So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.
Edward Hirsch
I wish I wrote drafts and then revised them, but I don't. What I do is I seem to revise as I go.
Edward Hirsch
I don't have a set schedule to work on poetry at any given time, at the same time every day, but I do try to work on poetry every day and I do find some time every day that I can with some exceptions to work on poetry.
Edward Hirsch
I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.
Edward Hirsch
Civil religion gives American culture its direction and defines its fundamental values, but it does not determine the diversified contents of American national culture.
Edward Hirsch
The great post-Holocaust poet, Paul Celan, said that a poem is a message in a bottle sent out in the not always greatly hopeful belief that somewhere and some time it would wash up on land on heartland perhaps.
Edward Hirsch
Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Edward Hirsch
There's the brilliant audacity of youth that poets strike upon in their earliest work sometimes that they never can hit upon again.
Edward Hirsch
And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.
Edward Hirsch
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Edward Hirsch
And Mandelstam says a poet - you go down to the shore and you see an unlikely looking from a bottle from the past, you open it. Mandelstam says, It's okay to do so. I'm not reading someone else's mail. It was addressed to whoever found it. I found it, therefore it's addressed to me.
Edward Hirsch
One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
Edward Hirsch