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What has a writer to be bombastic about? Whatever good a man may write is the consequence of accident, luck, or surprise, and nobody is more surprised than an honest writer when he makes a good phrase or says something truthful.

Edward Dahlberg

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Edward Dahlberg
Age: 76 †
Born: 1900
Born: July 22
Died: 1977
Died: February 27
Novelist
Writer
Boston
Massachusetts
Good
Says
Phrases
Men
Honest
Surprised
Whatever
Accidents
Write
Consequence
Makes
Surprise
Bombastic
May
Luck
Phrase
Writing
Nobody
Truthful
Something
Writer
Accident

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The newspaper has debauched the American until he is a slavish, simpering, and angerless citizen it has taught him to be a lump mass-man toward fraud, simony, murder, and lunacies more vile than those of Commodus or Caracalla.
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Genius, like truth, has a shabby and neglected mien.
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Though man is the only beast that can write, he has small reason to be proud of it. When he utters something that is wise it is nothing that the river horse does not know, and most of his creations are the result of accident.
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Man pines to live but cannot endure the days of his life.
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Intellectual sodomy, which comes from the refusal to be simple about plain matters, is as gross and abundant today as sexual perversion and they are nowise different from one another.
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Look at this poet William Carlos Williams: he is primitive and native, and his roots are in raw forest and violent places he is word-sick and place-crazy. He admires strength, but for what? Violence! This is the cult of the frontier mind.
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We are uneasy with an affectionate man, for we are positive he wants something of us, particularly our love.
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The earnings of a poet could be reckoned by a metaphysician rather than a bookkeeper.
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I know sage, wormwood, and hyssop, but I can't smell character unless it stinks.
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We are ruled by chance but never have enough patience to accept its despotism.
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A painter can hang his pictures, but a writer can only hang himself.
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Of all the animals on earth, none is so brutish as man when he seeks the delirium of coition.
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Recognize the cunning man not by the corpses he pays homage to but by the living writers he conspires against with the most shameful weapon, Silence, or the briefest review.
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Evil, which is our companion all our days, is not to be treated as a foe. It is wrong to cocker vice, but we grow narrow and pithless if we are furtive about it, for this is at best a pretense, and the sage knows good and evil are kindred. The worst of men harm others, and the best injure themselves.
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There are men that are birds, and their raiment is trembling feathers, for they show their souls to everyone and everything that is ungentle or untutored or evil or mockery is as a rude stone cast at them, and they suffer all day long, or as Paul remarks they are slain every moment.
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The bad poet is a toady mimicking nature.
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Every decision you make is a mistake.
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A man who can be entertaining for a full day will be in his grave by night-fall.
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Man hoards himself when he has nothing to give away.
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What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.
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