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We are always talking about being together, and yet whatever we invent destroys the family, and makes us wild, touchless beasts feeding on technicolor prairies and rivers.

Edward Dahlberg

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Edward Dahlberg
Age: 76 †
Born: 1900
Born: July 22
Died: 1977
Died: February 27
Novelist
Writer
Boston
Massachusetts
Makes
Feeding
Together
Beast
Always
Wild
Technicolor
Rivers
Prairies
Technology
Prairie
Talking
Beasts
Whatever
Destroys
Family
Invent

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A strong foe is better than a weak friend.
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I know sage, wormwood, and hyssop, but I can't smell character unless it stinks.
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Man pines to live but cannot endure the days of his life.
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Perhaps Samuel Johnson was a great man he was certainly a drumbling one.
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Evil, which is our companion all our days, is not to be treated as a foe. It is wrong to cocker vice, but we grow narrow and pithless if we are furtive about it, for this is at best a pretense, and the sage knows good and evil are kindred. The worst of men harm others, and the best injure themselves.
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What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.
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There are men that are birds, and their raiment is trembling feathers, for they show their souls to everyone and everything that is ungentle or untutored or evil or mockery is as a rude stone cast at them, and they suffer all day long, or as Paul remarks they are slain every moment.
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Genius, like truth, has a shabby and neglected mien.
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Though man is the only beast that can write, he has small reason to be proud of it. When he utters something that is wise it is nothing that the river horse does not know, and most of his creations are the result of accident.
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What has a writer to be bombastic about? Whatever good a man may write is the consequence of accident, luck, or surprise, and nobody is more surprised than an honest writer when he makes a good phrase or says something truthful.
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I have no confidence in a man whose faults you cannot see.
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Recognize the cunning man not by the corpses he pays homage to but by the living writers he conspires against with the most shameful weapon, Silence, or the briefest review.
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The newspaper has debauched the American until he is a slavish, simpering, and angerless citizen it has taught him to be a lump mass-man toward fraud, simony, murder, and lunacies more vile than those of Commodus or Caracalla.
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Every decision you make is a mistake.
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