Quote

Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Felt
Someone
Perceived
Firsts
Chair
Human
Chairs
Humans
Paint
First
Certainly
Must
Interest
Interesting

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Without fear and illness, I could never have accomplished all I have
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Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.
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Oil-painting is a developed technique. Why go backwards?
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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The Academies of Art are nothing but great painting factories - those with talent are fed in at one end, and they come out as mechanical painting machines.
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Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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When I paint a person, his enemies always find the portrait a good likeness.
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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My art is rooted in a single reflection: why am I not as others are? ... my art gives meaning to my life.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
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The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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I don’t believe in an art that is not born out of man’s need to open his heart.
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Some colors reconcile themselves to one another, others just clash.
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I have been given a unique role to play on this earth: given to me by a life filled with sickness, ill-starred circumstances and my profession as an artist. It is a life that contains nothing that resembles happiness, and moreover does not even desire happiness.
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There is a battle that goes on between men and women. Many people call it love.
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