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The Academies of Art are nothing but great painting factories - those with talent are fed in at one end, and they come out as mechanical painting machines.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Talent
Education
Academies
Art
Mechanical
Ends
Academy
Come
Feds
Nothing
Factories
Great
Machines
Painting

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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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Some colors reconcile themselves to one another, others just clash.
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I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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My art is rooted in a single reflection: why am I not as others are? ... my art gives meaning to my life.
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Without fear and disease, my life would be like a boat without oars.
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I don’t believe in an art that is not born out of man’s need to open his heart.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head
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When I paint a person, his enemies always find the portrait a good likeness.
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I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
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At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
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Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
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Oil-painting is a developed technique. Why go backwards?
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I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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