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The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Also
Looked
States
Emotional
Many
Ways
Mind
State
Way
Interesting
Motif
Upon
Motifs
Makes
Dependent
Art
Sees

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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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Oil-painting is a developed technique. Why go backwards?
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The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.
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All art, literature, and music must be born in your heart's blood. Art is your heart's blood.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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I have been given a unique role to play on this earth: given to me by a life filled with sickness, ill-starred circumstances and my profession as an artist. It is a life that contains nothing that resembles happiness, and moreover does not even desire happiness.
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I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
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Without fear and illness, I could never have accomplished all I have
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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Without fear and disease, my life would be like a boat without oars.
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
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A work of art can only come from the interior of man. Art is the form of the image formed upon the nerves, heart, brain and eye of man.
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My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born.
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