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When I paint a person, his enemies always find the portrait a good likeness.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Paint
Enemy
Artist
Persons
Person
Likeness
Find
Portrait
Good
Portraits
Always
Enemies

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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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Oil-painting is a developed technique. Why go backwards?
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Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.
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The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
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My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born.
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At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
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Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
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There is a battle that goes on between men and women. Many people call it love.
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Without fear and illness, I could never have accomplished all I have
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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My art is rooted in a single reflection: why am I not as others are? ... my art gives meaning to my life.
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The Academies of Art are nothing but great painting factories - those with talent are fed in at one end, and they come out as mechanical painting machines.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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All art, literature, and music must be born in your heart's blood. Art is your heart's blood.
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