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The rich man who gives, steals twice over. First he steals the money and then the hearts of men.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
First
Twice
Giving
Stealing
Heart
Hearts
Men
Gives
Rich
Artist
Money
Firsts
Steals

More quotes by Edvard Munch

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My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born.
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The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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Without fear and disease, my life would be like a boat without oars.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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All art, literature, and music must be born in your heart's blood. Art is your heart's blood.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head
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I sense a scream passing through nature. I painted ... the clouds as actual blood. The colour shrieked.
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The Academies of Art are nothing but great painting factories - those with talent are fed in at one end, and they come out as mechanical painting machines.
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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Oil-painting is a developed technique. Why go backwards?
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I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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When I paint a person, his enemies always find the portrait a good likeness.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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