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Without fear and illness, I could never have accomplished all I have

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Accomplished
Illness
Fear
Without
Never

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Some colors reconcile themselves to one another, others just clash.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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My art is rooted in a single reflection: why am I not as others are? ... my art gives meaning to my life.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.
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At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
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The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
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Without anxiety and illness I would have been like a ship without a rudder.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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Oil-painting is a developed technique. Why go backwards?
Edvard Munch
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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When I paint a person, his enemies always find the portrait a good likeness.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head
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