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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Hell
Head
Unjustly
Felt
Hanging
Mother
Punishment
Without
Treated
Always
Threat
Sick
Childhood

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I have no fear of photography as long as it cannot be used in heaven and in hell.
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I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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I have been given a unique role to play on this earth: given to me by a life filled with sickness, ill-starred circumstances and my profession as an artist. It is a life that contains nothing that resembles happiness, and moreover does not even desire happiness.
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Without fear and disease, my life would be like a boat without oars.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born.
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Oil-painting is a developed technique. Why go backwards?
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